“Seth material” search engine (Jane Roberts)

In this new book, therefore, I will sometimes provide my own “scene setting.” The psyche’s production, in other words, has escaped practical, physical bounds, so that from my level of reality I can no longer expect Joseph to do more than record the sessions. I will ask you, my readers, to bear with me then. In my own way, I will try to provide suitable references so that you know what is going on physically in your time, as this book is written.

Largely, the writing of this book occurs in a “no-time, or out-of-time context.” Physically, however, Ruburt and Joseph take many hours in its production. They have moved to a new house. Ruburt, as usual, is smoking as I speak. His foot rests upon a coffee table, as he moves back and forth in his rocking chair. It is nearing midnight as I speak (at 11:42). Earlier, a great thunderstorm raged, its reverberations seeming to crack the sky. Now it is quiet, with only the drone of Ruburt’s new refrigerator sounding like the deep purr of some mechanical animal.