“Seth material” search engine (Jane Roberts)

If the artist paints a doorway, all of the sensed perspectives within it open, and add further dimensions of reality. Since this is our analogy, we can stretch it as far as we like — far further than any artist could stretch his canvas (leaning forward humorously). Therefore, there is no need to limit ourselves. The canvas itself can change size and shape as the artist works. The people in the artist’s painting are not simple representations either — to stare back at him with forever-fixed glassy eyes, or ostentatious smiles (again humorously), dressed in their best Sunday clothes. Instead, they can confront the artist and talk back. They can turn sideways in the painting and look at their companions, observe their environment, and even look out of the dimensions of the painting itself and question the artist.

In those terms, I am outside of your “frame” of reference. My perspective cannot be contained in your own painting of reality. I write my books, but because my primary focus is in a reality that “is larger than your own,” I cannot appear as myself fully within your reference.

(10:20.) So Ruburt’s subjective perspective opens up because of his desire and interest, and discloses my own. He opens up a door in himself that leads to other levels of his being, but a being that cannot be completely expressed in your world. That existence is mine, expressed in my experience at another level of reality, so I must write my books through Ruburt. Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. You all have such psychological doors, however, that lead into dimensionally greater areas of the psyche, so to some extent or another I speak for those other aspects of yourselves that do not appear in your daily context.