“Seth material” search engine (Jane Roberts)

Now if you are looking for simple definitions to explain the psyche, I will be of no help. If you want to experience the splendid creativity of your own being, however, then I will use methods that will arouse your greatest adventuresomeness, your boldest faith in yourself, and I will paint pictures of your psyche that will lead you to experience even its broadest reaches, if you so desire. The psyche, then, is not a known land. It is not simply an alien land, to which or through which you can travel. It is not a completed or nearly complete subjective universe already there for you to explore. It is, instead, an ever-forming state of being, in which your present sense of existence resides. You create it and it creates you.

If the artist paints a doorway, all of the sensed perspectives within it open, and add further dimensions of reality. Since this is our analogy, we can stretch it as far as we like — far further than any artist could stretch his canvas (leaning forward humorously). Therefore, there is no need to limit ourselves. The canvas itself can change size and shape as the artist works. The people in the artist’s painting are not simple representations either — to stare back at him with forever-fixed glassy eyes, or ostentatious smiles (again humorously), dressed in their best Sunday clothes. Instead, they can confront the artist and talk back. They can turn sideways in the painting and look at their companions, observe their environment, and even look out of the dimensions of the painting itself and question the artist.

Now the psyche in our analogy is both the painting and the artist, for the artist finds that all of the elements within the painting are portions of himself. More, as he looks about, our artist discovers that he is literally surrounded by other paintings that he is also producing. As he looks closer, he discovers that there is a still-greater masterpiece in which he appears as an artist creating the very same paintings that he begins to recognize.

Our artist then realizes that all of the people he painted are also painting their own pictures, and moving about in their own realities in a way that even he cannot perceive.

In a flash of insight it occurs to him that he also has been painted — that there is another artist behind him from whom his own creativity springs, and he also begins to look out of the frame.

Now I come from another portion of reality’s picture, from another dimension of the psyche in which your existence can be observed, as you might look upon a normal painting.

In those terms, I am outside of your “frame” of reference. My perspective cannot be contained in your own painting of reality. I write my books, but because my primary focus is in a reality that “is larger than your own,” I cannot appear as myself fully within your reference.