“Seth material” search engine (Jane Roberts)

(An hour before she went into trance this evening, Jane told me that she could get several channels from Seth, each one concerning a different subject, and that “we’d better see” which one came through tonight. Then just before the session started, she said it would concern dictation on Seth’s new book.)

When you begin a physical journey, you feel yourself distinct from the land through which you travel. No matter how far you journey — on a motorcycle, in a car or plane, or on foot — (gesturing to me as Seth, Jane then changed the sentence) by bicycle or camel, or truck or vessel, still you are the wanderer, and the land or ocean or desert is the environment through which you roam. When you begin your travels into your own psyche, however, everything changes. You are still the wanderer, the journeyman or journey-woman — but you are also the vehicle and the environment. You form the roads, your method of travel, the hills or mountains or oceans, as well as the hills, farms, and villages of the self, or of the psyche, as you go along.

You all have physical reality to deal with. This applies equally to Ruburt and Joseph (Seth’s entity name for me). Thus far, my books have included Joseph’s extended notes. They have set the scene, so to speak. My books have gone beyond those boundaries, however. In your terms, only so much can be done in time. Joseph is even now involved in typing my previous manuscript (The “Unknown” Reality). It was written in such a way that it tied the personal experience of Ruburt and Joseph in with a greater theoretical framework, so that one could not be separated from the other.

In this new book, therefore, I will sometimes provide my own “scene setting.” The psyche’s production, in other words, has escaped practical, physical bounds, so that from my level of reality I can no longer expect Joseph to do more than record the sessions. I will ask you, my readers, to bear with me then. In my own way, I will try to provide suitable references so that you know what is going on physically in your time, as this book is written.

(“No, I’m not,” she retorted. Her denial was both funny and dogged, for I could see that she was tired. But she went on: “Now let me get a couple of paragraphs on the chapter… The heading is: ‘Your Dreaming Psyche Is Awake.’” Then Seth came through at once:)