“Seth material” search engine (Jane Roberts)

(9:30.) Earlier I mentioned some odd effects that might occur if you tried to take your watch or other timepiece into other levels of reality. Now, when you try to interpret your selfhood in other kinds of existence, the same surprises or distortions or alterations can seem to occur. When you attempt to understand your psyche, and define it in terms of time, then it seems that the idea of reincarnation makes sense. You think “Of course. My psyche lives many lives physically, one after the other. If my present experience is dictated by that in my childhood, then surely my current life is a result of earlier ones.” And so you try to define the psyche in terms of time, and in so doing you limit your understanding and even your experience of it.

(Long pause.) Let us try another analogy: You are an artist in the throes of inspiration. There is before you a canvas, and you are working in all areas of it at once. In your terms each part of the canvas could be a time period — say, a given century. You are trying to keep some kind of overall balance and purpose in mind, so when you make one brushstroke in any particular portion of this canvas, all the relationships within the entire area can change. No brushstroke is ever really wiped out, however, in this mysterious canvas of our analogy, but remains, further altering all the relationships at its particular level.

(10:20.) So Ruburt’s subjective perspective opens up because of his desire and interest, and discloses my own. He opens up a door in himself that leads to other levels of his being, but a being that cannot be completely expressed in your world. That existence is mine, expressed in my experience at another level of reality, so I must write my books through Ruburt. Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. You all have such psychological doors, however, that lead into dimensionally greater areas of the psyche, so to some extent or another I speak for those other aspects of yourselves that do not appear in your daily context.

On some relatively few occasions, for example, Ruburt has been able to contact what he calls “Seth Two.” That level of reality, however, is even further divorced from your own. It represents an even greater extension of the psyche, in your terms. (Long pause.) There is a much closer relationship, in that I recognize my own identity as a distinct portion of Seth Two’s existence, where Ruburt feels little correspondence. In a manner of speaking, Seth Two’s reality includes my own, yet I am aware of my contribution to “his” experience.

In the same way, each of my readers has a connection with the same level of psychic reality. In greater terms, all of this is happening at once. Ruburt is contributing and forming a certain portion of my experience, even as I am contributing to his. Your identities are not something already completed. Your most minute action, thought, and dream adds to the reality of your psyche, no matter how grand or austere the psyche may appear to you when you think of it as a hypothetical term.

In this new book, therefore, I will sometimes provide my own “scene setting.” The psyche’s production, in other words, has escaped practical, physical bounds, so that from my level of reality I can no longer expect Joseph to do more than record the sessions. I will ask you, my readers, to bear with me then. In my own way, I will try to provide suitable references so that you know what is going on physically in your time, as this book is written.