2 results for (book:notp AND session:755 AND exact:"your own reality")

NotP Chapter 1: Session 755, September 8, 1975 28/51 (55%) psyche canvas brushstroke artist greater
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 1: The Environment of the Psyche
– Session 755, September 8, 1975 8:59 P.M. Monday

Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.

¶28

In those terms, I am outside of your “frame” of reference. My perspective cannot be contained in your own painting of reality. I write my books, but because my primary focus is in a reality that “is larger than your own,” I cannot appear as myself fully within your reference.

¶26

(Pause.) Again, rather than trying to define the psyche, I will try to incite your imagination so that you can leap beyond what you have been told you are, to some kind of direct experience. To some extent this book itself provides its own demonstration. I call Jane Roberts “Ruburt” (and, hence, “he” and “him”) simply because the name designates another portion of her reality, while she identifies herself as Jane. She writes her own books and carries on as each of you do in life’s ordinary context. She has her own unique likes and dislikes, characteristics and abilities; her own time and space slot as each of you do. She is one living portrait of the psyche, independent in her own context, and in the environment as given.

¶33

[...] That level of reality, however, is even further divorced from your own. It represents an even greater extension of the psyche, in your terms. (Long pause.) There is a much closer relationship, in that I recognize my own identity as a distinct portion of Seth Two’s existence, where Ruburt feels little correspondence. In a manner of speaking, Seth Two’s reality includes my own, yet I am aware of my contribution to “his” experience.

¶9

[...] It is futile to question: “What is the difference between my psyche and my soul, my entity and my greater being?” for all of these are terms used in an effort to express the greater portions of your own experience that you sense within yourself. Your use of language may make you impatient for definitions, however. Hopefully this book will allow you some intimate awareness, some definite experience, that will acquaint you with the nature of your own psyche, and then you will see that its reality escapes all definitions, defies all categorizing, and shoves aside with exuberant creativity all attempts to wrap it up in a neat package.

¶29

(10:20.) So Ruburt’s subjective perspective opens up because of his desire and interest, and discloses my own. He opens up a door in himself that leads to other levels of his being, but a being that cannot be completely expressed in your world. That existence is mine, expressed in my experience at another level of reality, so I must write my books through Ruburt. Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. You all have such psychological doors, however, that lead into dimensionally greater areas of the psyche, so to some extent or another I speak for those other aspects of yourselves that do not appear in your daily context.

¶12

[...] If you want to experience the splendid creativity of your own being, however, then I will use methods that will arouse your greatest adventuresomeness, your boldest faith in yourself, and I will paint pictures of your psyche that will lead you to experience even its broadest reaches, if you so desire. [...] It is, instead, an ever-forming state of being, in which your present sense of existence resides. [...]

¶14

There would be no experience of what Ruburt (Seth’s “entity” name for Jane) calls “the dear privacy of the moment,” so if one portion of your being wants to rise above the solitary march of the moments, other parts of your psyche rush, delighted, into that particular time-focus that is your own. As you now desire to understand the timeless, infinite dimensions of your own greater existence, so “even now” multitudinous elements of that nonearthly identity just as eagerly explore the dimensions of earthbeing and creaturehood.

¶15

(9:30.) Earlier I mentioned some odd effects that might occur if you tried to take your watch or other timepiece into other levels of reality. Now, when you try to interpret your selfhood in other kinds of existence, the same surprises or distortions or alterations can seem to occur. When you attempt to understand your psyche, and define it in terms of time, then it seems that the idea of reincarnation makes sense. [...] And so you try to define the psyche in terms of time, and in so doing you limit your understanding and even your experience of it.

¶46

In this new book, therefore, I will sometimes provide my own “scene setting.” The psyche’s production, in other words, has escaped practical, physical bounds, so that from my level of reality I can no longer expect Joseph to do more than record the sessions. [...] In my own way, I will try to provide suitable references so that you know what is going on physically in your time, as this book is written.

¶34

In the same way, each of my readers has a connection with the same level of psychic reality. [...] Your identities are not something already completed. Your most minute action, thought, and dream adds to the reality of your psyche, no matter how grand or austere the psyche may appear to you when you think of it as a hypothetical term.

NotP Chapter 2: Session 755, September 8, 1975 5/12 (42%) language retorted sleep Chapter psyche
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 2: Your Dreaming Psyche is Awake
– Session 755, September 8, 1975 8:59 P.M. Monday
¶4

You have hypnotized yourselves so that it seems to you that there are great divisions between your waking and your sleeping experience. Yet each of you will fall sleep tonight, and you will have experiences that you forget only because you have been told that you cannot remember them. Many of the other dimensions of your own reality appear clearly when you are sleeping, however. When you sleep, you forget all definitions that you have placed upon yourself and your own existence through training. In sleep you use images and languages in their pure form.

¶1

YOUR DREAMING PSYCHE IS AWAKE

¶3

(“No, I’m not,” she retorted. Her denial was both funny and dogged, for I could see that she was tired. But she went on: “Now let me get a couple of paragraphs on the chapter… The heading is: ‘Your Dreaming Psyche Is Awake.’” Then Seth came through at once:)

¶6

When you awaken, you try to squeeze the psyche’s language into terms of definition. You imagine that language and images are two different things, so you try to “put them together.” In dreams, however, you use the true ancient language of your being.

¶10

(Jane has decided that she’ll let my ordinary session notes — brief as they are — suffice for Psyche, and that she’ll add few, if any, of her own. She does plan to write an introduction, though.

Similar sessions

NotP Chapter 2: Session 759, October 27, 1975 psyche perspective dead brother ant
NotP Introduction by Jane Roberts psyche Cézanne sexuality bisexuality view
NoME Part Two: Chapter 4: Session 827, March 13, 1978 heredity council Emir character counsel
TPS5 Deleted Session November 12, 1979 Wonderland play Michelangelo masterpiece artist