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NotP Chapter 1: Session 755, September 8, 1975 13/51 (25%) psyche canvas brushstroke artist greater
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 1: The Environment of the Psyche
– Session 755, September 8, 1975 8:59 P.M. Monday

(Because of the press of other matters following the 753rd session — my work doing the notes for Seth’s “Unknown” Reality, Jane’s involvement in writing a new introduction for one of her own books that’s coming out in a new paperback edition, and a stream of unexpected visitors — we didn’t hold any sessions for several weeks. [The paperback in question is The Coming of Seth, originally published in hardcover as How to Develop Your ESP Power.]

(Then in the 754th session, on August 25, Seth gave an excellent dissertation on what he called “the stamp of identity” — explaining how the individual psychically marks certain exterior aspects of reality and “makes them his or her own,” in tune with personal inner symbols. Later in the session Jane felt that Seth was taking her on a guided tour of Jerusalem, way back in the first century A.D. None of this consisted of book work, though, so the session remains in our files along with other material that we hope to publish one day.

(An hour before she went into trance this evening, Jane told me that she could get several channels from Seth, each one concerning a different subject, and that “we’d better see” which one came through tonight. Then just before the session started, she said it would concern dictation on Seth’s new book.)

[... 5 paragraphs ...]

I am not saying that words cannot be used to describe the psyche, but they cannot define it. It is futile to question: “What is the difference between my psyche and my soul, my entity and my greater being?” for all of these are terms used in an effort to express the greater portions of your own experience that you sense within yourself. Your use of language may make you impatient for definitions, however. Hopefully this book will allow you some intimate awareness, some definite experience, that will acquaint you with the nature of your own psyche, and then you will see that its reality escapes all definitions, defies all categorizing, and shoves aside with exuberant creativity all attempts to wrap it up in a neat package.

[... 11 paragraphs ...]

(9:55. Jane was really charged up from the day’s events: She’d received the first six copies of her poetry book Dialogues of the Soul and Mortal Self in Time, which was just off the press at Prentice-Hall, and during break we discussed that book.

[... 4 paragraphs ...]

(Pause.) Again, rather than trying to define the psyche, I will try to incite your imagination so that you can leap beyond what you have been told you are, to some kind of direct experience. To some extent this book itself provides its own demonstration. I call Jane Roberts “Ruburt” (and, hence, “he” and “him”) simply because the name designates another portion of her reality, while she identifies herself as Jane. She writes her own books and carries on as each of you do in life’s ordinary context. She has her own unique likes and dislikes, characteristics and abilities; her own time and space slot as each of you do. She is one living portrait of the psyche, independent in her own context, and in the environment as given.

[... 1 paragraph ...]

In those terms, I am outside of your “frame” of reference. My perspective cannot be contained in your own painting of reality. I write my books, but because my primary focus is in a reality that “is larger than your own,” I cannot appear as myself fully within your reference.

(10:20.) So Ruburt’s subjective perspective opens up because of his desire and interest, and discloses my own. He opens up a door in himself that leads to other levels of his being, but a being that cannot be completely expressed in your world. That existence is mine, expressed in my experience at another level of reality, so I must write my books through Ruburt. Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. You all have such psychological doors, however, that lead into dimensionally greater areas of the psyche, so to some extent or another I speak for those other aspects of yourselves that do not appear in your daily context.

[... 8 paragraphs ...]

(10:39. Seth did continue with personal material for both of us. Ordinarily he’d have ended the session after that. This evening, however, Jane felt so much energy that Seth returned for some more book dictation — the first time a session has worked out that way as far as I can remember.

[... 6 paragraphs ...]

You all have physical reality to deal with. This applies equally to Ruburt and Joseph (Seth’s entity name for me). Thus far, my books have included Joseph’s extended notes. They have set the scene, so to speak. My books have gone beyond those boundaries, however. In your terms, only so much can be done in time. Joseph is even now involved in typing my previous manuscript (The “Unknown” Reality). It was written in such a way that it tied the personal experience of Ruburt and Joseph in with a greater theoretical framework, so that one could not be separated from the other.

In this new book, therefore, I will sometimes provide my own “scene setting.” The psyche’s production, in other words, has escaped practical, physical bounds, so that from my level of reality I can no longer expect Joseph to do more than record the sessions. I will ask you, my readers, to bear with me then. In my own way, I will try to provide suitable references so that you know what is going on physically in your time, as this book is written.

Largely, the writing of this book occurs in a “no-time, or out-of-time context.” Physically, however, Ruburt and Joseph take many hours in its production. They have moved to a new house. Ruburt, as usual, is smoking as I speak. His foot rests upon a coffee table, as he moves back and forth in his rocking chair. It is nearing midnight as I speak (at 11:42). Earlier, a great thunderstorm raged, its reverberations seeming to crack the sky. Now it is quiet, with only the drone of Ruburt’s new refrigerator sounding like the deep purr of some mechanical animal.

As you read this book, you are also immersed in such intimate physical experiences. Do not consider them as separated from the greater reality of your being, but as a part of it. You do not exist outside of your psyche’s being, but within it. Some of you may have just put children to bed as you read these lines. Some of you may be sitting at a table. Some of you may have just gone to the bathroom. These mundane activities may seem quite divorced from what I am telling you, yet in each simple gesture, and in the most necessary of physical acts, there is the great magical unknowing elegance in which you reside — and in the most ordinary of your motions, there are clues and hints as to the nature of the psyche and its human expression.

[... 2 paragraphs ...]

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