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NotP Chapter 1: Session 752, July 28, 1975 9/46 (20%) psyche birth barest history television
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 1: The Environment of the Psyche
– Session 752, July 28, 1975 9:25 P.M. Monday

[... 3 paragraphs ...]

(I told her that I didn’t care if the book was short, medium, or long — or whether it took six months to produce, or a year, or five years: If she held one or two sessions a week, or one a month, it would still give her a book in the works, and she would have that comforting knowledge. I said that if she preferred no notes, that was all right with me too.

[... 7 paragraphs ...]

(So it seemed that we were about to get underway with another excellent production from Seth, with Jane’s considerable — indeed vital — help. I understood that she might be a little concerned about his starting a new book on such short notice; but on the other hand, I had no doubt at all that Seth — and Jane — could do it. And I wanted her to be creatively involved with a continuing project. I thought it could underlie her daily life like a foundation.

[... 1 paragraph ...]

(“Now I’m getting it,” she said. “It’s just taking me a few minutes to put it all together….” Then, beginning at 9:25, and with many pauses:)

[... 6 paragraphs ...]

In private life and on the world stage, action is occurring all the time. It is easy to look at yourselves or at the world, comma, to see yourself and become so hypnotized by your present state that all change or growth seems impossible, or to see the world in the same manner.

[... 1 paragraph ...]

(Pause at 9:49.) The sciences still keep secrets from each other. The physical sciences pretend that the centuries exist one after the other, while the physicists realize that time is not only relative to the perceiver, but that all events are simultaneous. The archeologists merrily continue to date the remains of “past” civilizations, never asking themselves what the past means — or saying: “This is the past relative (underlined) to my point of perception.”

Astronomers speak of outer space and of galaxies that would dwarf your own. In the world that you recognize there are also wars and rumors of wars, prophets of destruction. Yet in spite of all, the private man or the private woman, unknown, anonymous to the world at large, stubbornly feels within a rousing, determined affirmation that says: “I am important. I have a purpose, even though I do not understand what it is. My life that seems so insignificant and inefficient, is nevertheless of prime importance in some way that I do not recognize.” Period.

Though caught up in a life of seeming frustration, obsessed with family problems, uneasy in sickness, defeated it seems for all practical purposes, some portion of each individual rouses against all disasters, all discouragements, and now and then at least glimpses a sense of enduring validity that cannot be denied. It is to that knowing portion of each individual that I address myself. Period.

[... 9 paragraphs ...]

(“Okay, go ahead,” I said, bantering. “Cop out if you want to.” I reminded her of the full title of Psyche, and made a few suggestions as to how she could proceed with her own written comments for the book stressing that she could handle them any way she liked. I just didn’t have time for more than the barest of session notes. However, I confessed to Jane, I couldn’t say that I really expected her to produce both the book itself; through Seth, and then do all the work involved in writing the notes too — yet as it turned out, to some extent she did help me annotate this work.

[... 3 paragraphs ...]

You take it for granted that the earth has a history. In those terms, your own psyche has a history also. You have taught yourselves to look outward into physical reality, but the inward validity of your being cannot be found there — only its effects. You can turn on television and see a drama, but the inward mobility and experience of your psyche is mysteriously enfolded within all of those exterior gestures that allow you to turn on the television switch to begin with, and to make sense of the images presented. So the motion of your own psyche usually escapes you.

[... 6 paragraphs ...]

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