“Seth material” search engine (Jane Roberts)

While Seth dictated this book, devoted to the potentials of the psyche and its reception of inner information, my own experiences — as usual — seemed to serve as object lessons backing up his thesis. Seth had barely begun Psyche, for instance, when I suddenly became the psychic recipient of a book on art philosophy and techniques. It purported to come from the “world view” of Paul Cézanne, the famous French artist who died at the start of this century.

Seth began discussing world views in his “Unknown” Reality. Simply put, a world view is a living psychological picture of an individual life, with its knowledge and experience, which remains responsive and viable long after the physical life itself is over. So, the material I received didn’t come from Paul Cézanne per se, but from his world view.

Actually, while getting the book, I felt like a secretary taking mental dictation. But what dictation! For this manuscript not only presented a fascinating picture of a genius at work, but gave specialized knowledge of a field — art — in which I am at best an amateur. Seth himself did the Introduction, first dictating his own material on Psyche, then switching over to the Cézanne Introduction during the same sessions.

That book, The World View of Paul Cézanne, was published by Prentice-Hall in 1977. No sooner had I finished it, than another, similar experience happened, just as Seth was completing Psyche. The Afterdeath Journal of an American Philosopher: The World View of William James came the same way, like mental dictation; only where the Cézanne world view had specialized in art, the James world view was more comprehensive. It commented in depth upon our world since James’s death, and covered American history as it was related to spiritualism, psychology, and democracy.

According to Seth any of us can tune in to such “extra” information, but we would receive it in accordance with our own desires and intents. My own interest in art and Rob’s appreciation of Cézanne’s works helped trigger the Cézanne book, for example; and my own curiosity about William James and Rob’s appreciation of his work helped bring about the James manuscript.