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NoPR Part Two: Chapter 21: Session 674, July 2, 1973 3/73 (4%) Christ Gospels affirmation love Matthew
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 21: Affirmation, Love, Acceptance, and Denial
– Session 674, July 2, 1973 9:23 P.M. Monday

[... 5 paragraphs ...]

If you do so, then in the great flow and sweep of your eternal reality there will be an overall current of love and creativity that carries you. Affirmation is the acceptance of yourself in your present as the person that you are. Within that acceptance you may find qualities that you wish you did not have, or habits that annoy you. You must not expect to be “perfect.” As mentioned earlier, your ideas of perfection mean a state of fulfillment beyond which there is no future growth, and no such state exists. (See the 626th session in Chapter Five, for instance.)

[... 43 paragraphs ...]

The man called Christ was not crucified. In the overall drama however it made little difference what was fact, in your terms, and what was not — for the greater reality transcends facts and creates them. You have free will. You could interpret the drama as you wished. It was given to you. Its great creative power still exists and you use it in your own way, even changing your own symbolism as your beliefs change. But the main idea is the affirmation that the physical being, the self that you know, is not annihilated with death. This comes through even in the distortions. The whole concept of God the Father, as given by Christ, was indeed a “new testament.” The male image of God was used because of the sex orientation of the times, but beyond this the Christ personality said, “…the kingdom of God is within (among) you” (Luke 17:21).

[... 4 paragraphs ...]

(A note added later: More information is available, however, in return for the investment in time necessary to receive it. Seth finished his part of the work on this book in mid-July. Not long afterward I came across an illustrated article about Jerusalem in a travel magazine. We saved it for possible reference. One of the photographs accompanying the piece was a double-page, full color aerial view of the entire city in its desert setting; Jane and I found this so evocative that I mounted it for easy study. Jerusalem’s arid environment, coupled with its incredibly complex and active history, led us to speculate anew about the mysterious forces of religious creativity that seemingly had always emanated from there, and were still doing so.

[... 17 paragraphs ...]

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