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NoPR Part Two: Chapter 19: Session 669, June 11, 1973 6/53 (11%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 1 paragraph ...]

(Before the session, we voiced the hope once more that Seth would at least comment on Jane’s latest experience involving book work in the sleep state. This had taken place during the early hours of May 29, and had been very vivid; see the notes leading off the 667th session in this chapter. Once again, though, for whatever reasons, Seth didn’t mention it. I also forgot to remind him to do so. It’s easy to miss out on asking specific questions during a session — I’ve done this even when I had a list of them prepared beforehand.

[... 18 paragraphs ...]

There simply is no time as you think of it, only a present in which all things occur. There are miracles of condensed information within the cells themselves that scientists cannot perceive, for they exist outside of the scope of physical instruments. In its own way, cellular comprehension includes a vast recognition of probabilities in your terms, and works with flashing manipulations in which these probabilities are contended with and responded to — and therefore altered.

[... 2 paragraphs ...]

Because you now distrust the imagination so, you do not understand the great clues it gives you, both in terms of problem solving and of creative expression. Many quite valid reincarnational memories come as imaginings, but you do not trust them. A good percentage of your problems can be worked out rather easily through the use of your imagination.

[... 14 paragraphs ...]

Your cells’ multidimensional knowledge is usually not consciously available, nor can they put it into psychological terms for you. Such work with the imagination acts as a trigger, however, drawing information to you from other levels of your greater reality, and concentrating it on the specific problem at hand. It will then appear in terms understandable to your own experience.

[... 6 paragraphs ...]

(At break I reminded Jane that we wanted Seth to discuss her May 29 dream experience with book work, but no sooner had I done so than she began describing her dreams of last night. I’d forgotten about those for the moment.

[... 4 paragraphs ...]

3. I feel that I am such an artist. For some related material see my notes for the 582nd session in Chapter Twenty of Seth Speaks. It’s enough to say here that it wasn’t until after these sessions began, in 1963, that I realized my inner models were quite as valid as those who physically sat before me. Indeed, I often saw the former with a clearer vision, but my early training and work as a commercial artist, beginning in New York City in 1939, conditioned me to believe that the artist was supposed to deal only with what he could “see” objectively.

[... 1 paragraph ...]

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