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NoPR Part Two: Chapter 19: Session 669, June 11, 1973 4/53 (8%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 9 paragraphs ...]

Vague yearnings toward certain accomplishments may be clues that the necessary characteristics are inherent but untrained in the self that you know. In its own way, the twenty-four hour period represents both an entire lifetime and many lives in one. In it, symbolically, you have “death” as your physically attuned consciousness comes to the end of the amount of stimuli it can comfortably handle without rest. So, at your normal physical death, you come to the point where your earth-attuned consciousness can no longer handle further data without a “longer rest,” and organize it into a creative meaningful whole — in terms of time.

[... 8 paragraphs ...]

Now: This does not mean that you will necessarily have a flood of reincarnational information, instant intuitive recognition of “past” lives, or experience any such intrusive data. It does mean that in your own life such information automatically appears in intimate ways, but couched within the framework of your own comprehensions, even passing unobtrusively through your conscious thoughts.

[... 20 paragraphs ...]

In itself, such an exercise creatively alters probabilities, for you no longer live with the problem as an unchanging concrete reality. This is a psychological and psychic impetus, altering the messages that you habitually send to your body and to its cellular construction. You are then creatively manipulating in several layers of experience.

[... 1 paragraph ...]

Such practice also activates within the self all of its unconscious but quite valid experiences, drawing out similar episodes on the part of other simultaneous lives. In one existence the old person is young. The unloved woman is indeed beloved. These unconscious realities become turned on through the use of the imagination. Each day is a window into each life.

[... 10 paragraphs ...]

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