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                1 result for (book:nopr AND session:667 AND stemmed:perman)
                
                    
                        ▼
                        NoPR Part Two: Chapter 19: Session 667, May 30, 1973
                        
                             
                             2/46 (4%)
                        
                            defects
                            Indianapolis
                            radio
                            driver
                            restructure
                        
                        2/46 (4%)
                        
                            defects
                            Indianapolis
                            radio
                            driver
                            restructure
                        
                        
                            
 – The Nature of Personal Reality
                            
 – © 2011 Laurel Davies-Butts
                            
 – Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
                            
 – Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
                            
 – Session 667, May 30, 1973 9:26 P.M. Wednesday
                        
                        
                            [... 33 paragraphs ...]
                            
                                A person may choose a great talent instead, through which he or she will perceive reality and concentrate all experience. This will serve as a formidable focus, yet by its nature it may often preclude other experiences that many individuals find quite normal. Some artists with great ability may shut out intellectual maturity, utilizing native emotional qualities to such an extent and with such intensity that the mental reasoning faculties are largely shunted aside. (Pause.) Without rational illumination, the emotional elements may be so unwieldy that the artist, for all of his spontaneous expression, cannot relate in any kind of permanent situation of an intimate nature. For reason and emotion are natural counterparts.
                                
                                Someone else may choose to focus upon intellectual achievement to such a degree that he shuts out all true closeness, and though he can accept a permanent relationship, he will not experience the emotional richness that others may derive from a much briefer encounter. Therefore each of you choose — ahead of time, in your terms — the kind of framework through which you will contend with this life situation. This applies personally and collectively.
                                
[... 10 paragraphs ...]
                         
                     
                 
                
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