“Seth material” search engine (Jane Roberts)

No one begins a race with a handicap, you may say, but that is obviously not the case. Individuals have often chosen such situations precisely as incentives, and many great men have done so. This does not mean that such disabilities are necessary. At any point that an individual realizes his point of power in the present, he will not need a barrier to test himself against, or to focus him in what he thinks of as the proper direction.

(9:54.) Since all existences are simultaneous, this simply means his stressing certain aspects in this life — at the expense of others, you would say — and setting up a frame of reference that may seem to be limiting. On the other hand the personality involved may see this as a most rewarding and expansive experience, in which the emotions are allowed freedoms ordinarily denied. Characteristically, some personalities prefer lifetime experiences in which accomplishment and development follows an even course. Others demand great contrast. One of the latter may be miserably poor in one life, luxuriously rich in another, an intellectual giant in still another, a great athlete, and then a complete invalid. Individual differences operate then in the kinds of life situations chosen.

Now understand that the same thing applies in the case of unusual achievements. In those instances the achiever’s beliefs predominate, and yet apart from this he may also be acting out the unrealized aspirations of his family members, or of the group in which he is intimately involved. There will always be reasons for such interrelationships.

A person may choose a great talent instead, through which he or she will perceive reality and concentrate all experience. This will serve as a formidable focus, yet by its nature it may often preclude other experiences that many individuals find quite normal. Some artists with great ability may shut out intellectual maturity, utilizing native emotional qualities to such an extent and with such intensity that the mental reasoning faculties are largely shunted aside. (Pause.) Without rational illumination, the emotional elements may be so unwieldy that the artist, for all of his spontaneous expression, cannot relate in any kind of permanent situation of an intimate nature. For reason and emotion are natural counterparts.