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NoPR Part Two: Chapter 19: Session 667, May 30, 1973 5/46 (11%) defects Indianapolis radio driver restructure
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 667, May 30, 1973 9:26 P.M. Wednesday

[... 17 paragraphs ...]

A person with several existences stressing intellectual achievement might purposely then decide upon a life in which mental abilities are beyond him, and the emotions allowed a full play that he had denied them “earlier.”

(9:54.) Since all existences are simultaneous, this simply means his stressing certain aspects in this life — at the expense of others, you would say — and setting up a frame of reference that may seem to be limiting. On the other hand the personality involved may see this as a most rewarding and expansive experience, in which the emotions are allowed freedoms ordinarily denied. Characteristically, some personalities prefer lifetime experiences in which accomplishment and development follows an even course. Others demand great contrast. One of the latter may be miserably poor in one life, luxuriously rich in another, an intellectual giant in still another, a great athlete, and then a complete invalid. Individual differences operate then in the kinds of life situations chosen.

[... 4 paragraphs ...]

Highly intelligent parents, therefore, may find themselves with a retarded child. If they place a great value upon intellect at the expense of the emotions, then the child may be acting out for them the emotional spontaneity of which they are so afraid themselves.

[... 9 paragraphs ...]

A person may choose a great talent instead, through which he or she will perceive reality and concentrate all experience. This will serve as a formidable focus, yet by its nature it may often preclude other experiences that many individuals find quite normal. Some artists with great ability may shut out intellectual maturity, utilizing native emotional qualities to such an extent and with such intensity that the mental reasoning faculties are largely shunted aside. (Pause.) Without rational illumination, the emotional elements may be so unwieldy that the artist, for all of his spontaneous expression, cannot relate in any kind of permanent situation of an intimate nature. For reason and emotion are natural counterparts.

Someone else may choose to focus upon intellectual achievement to such a degree that he shuts out all true closeness, and though he can accept a permanent relationship, he will not experience the emotional richness that others may derive from a much briefer encounter. Therefore each of you choose — ahead of time, in your terms — the kind of framework through which you will contend with this life situation. This applies personally and collectively.

[... 10 paragraphs ...]

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