“Seth material” search engine (Jane Roberts)

Now: An artist produces a body of work in his lifetime. Each painting is but one materialization, one focused presentation, of an endless variety of probable paintings. The actual work involved in the selection of data is still made according to the beliefs in the artist’s conscious mind as to who he is, how good an artist he is, what kind of artist he is, what “school” of artistic beliefs he subscribes to, his ideas of society and his place in it, and esthetic and economic values, to name but a few.

You do not understand the communications between your selves and pets, for example, where in their own way they interpret and react to your beliefs.¹ They mirror your ideas, then, and so become vulnerable as they would not be in their natural circumstances. In greater terms their relationship with you is natural, of course, but their innate realization that the creature’s point of power is in the present is to some degree undermined by their own receptivity and translation of your beliefs. A young kitten is treated differently than an older one. The cat responds to such conditioning. In the same way your own conclusions about age become fact in your experience. In line with them, if you could convince yourself that you were ten years younger, or ten years older, then it would be faithfully reflected in your personal environment.

(11:37. Seth rather suddenly launched into a page of data for me. It was about some limiting attitudes I had concerning painting and age; it was very perceptive, and I was somewhat surprised to realize that the ideas had been right there before me all along. The session ended at 11:45 p.m.