1 result for (book:nopr AND session:656 AND stemmed:now)
[... 12 paragraphs ...]
Now: An artist produces a body of work in his lifetime. Each painting is but one materialization, one focused presentation, of an endless variety of probable paintings. The actual work involved in the selection of data is still made according to the beliefs in the artist’s conscious mind as to who he is, how good an artist he is, what kind of artist he is, what “school” of artistic beliefs he subscribes to, his ideas of society and his place in it, and esthetic and economic values, to name but a few.
[... 6 paragraphs ...]
This joining of the past and present, in that context, predisposes you to similar future events, for you have geared yourself for them. Change now quite practically alters both the past and the future. For you, because of your neurological organization, the present is obviously the only point from which past and future can be changed, or when action becomes effected.
[... 3 paragraphs ...]
Now: You must understand that your present is the point at which flesh and matter meet with the spirit. Therefore the present is your point of power in your current lifetime, as you think of it. If you assign greater force to the past, then you will feel ineffective and deny yourself your own energy.
[... 2 paragraphs ...]
If you learn to get hold of this feeling of power now, you can use it most effectively to alter your life situation in whatever way you choose — again, within those limitations set by your creaturehood. If you were born without a limb, for example, your power in the present cannot automatically regenerate it in this life, although in other systems of reality you do possess that limb. (See Seth’s Preface, as well as the 615th session in Chapter Two.)
[... 7 paragraphs ...]
If you were sixty, you would be able to use the physical strength you imagined was denied you now, but available then. All of this would be physically and biologically expressed within your body as well.
[... 2 paragraphs ...]
Now: That is the end of dictation, and give us a moment. I have a few words for you….
[... 1 paragraph ...]
(“I don’t remember anything since last break,” Jane said. Her delivery and manner had grown increasingly forceful and driving as the session progressed. Both of us felt relaxed but active now. I talked about going out for a beer, then speculated that it was too late. In a moment Jane went back into trance for Seth’s amused comment:)
[... 3 paragraphs ...]