“Seth material” search engine (Jane Roberts)

(“As I sat at my desk the next morning, April 2, I was suddenly filled with the strongest, most vivid kind of inspiration I think I’ve ever had. I was swept along by it all day long, writing in a fever, agitated yet exultant. The result was a nine-page poem called Dialogues of the Speakers, which may or may not continue into a book. This is the way the book of poetry that I finished early in March, Dialogues of the Soul and Mortal Self in Time, began.

(“Rob suggested I take a nap, since the Monroes were to arrive in an hour or so. While I attempted to sleep, one idea from among many sprang out at me, literally shocking me: ‘We are IN God. We were NEVER externalized!’ These words do little to explain my emotional, subjective feelings of participation in this idea. For suddenly I felt being-in-God as being-in-a-house. Everything we imagine and know is inside. There is no outside.

(“Rob called me, then left to pick up the Monroes at the hotel. I felt exhilarated to a high degree, yet exhausted. I began to dress, still aware of the inside-God feeling. The birds began to sing outside and I stopped, transfixed. The birds were the gods singing! This wasn’t a symbolic or artistic sensation — this was sudden known fact!

In such a way the cells retain their memory, though you do not perceive it, and the body is aware of so-called future occurrences, though as a rule you do not consciously sense this. (Suddenly very intense and fast:) At other levels of psychic activity however such knowledge is also available to you, but only when you disconnect your experience from the time-activated neuronal structure — and this you can do through various alterations of consciousness, often quite spontaneously adopted.

(Pause.) In certain terms time intervals are jumped, as when a “past” smell or sight is suddenly perceived with present vividness, though you would say it has already occurred in the past. Under particular conditions a memory may suddenly become more real than the event of the present moment, and so rush again into your current experience as validly as when it was first lived, and even seem to blot out the occurrences of the moment.