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NoPR Part Two: Chapter 13: Session 653, April 4, 1973 8/68 (12%) Monroe massive inside eagle Speakers
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 13: Good and Evil, Personal and Mass Beliefs, and Their Effect Upon Your Private and Social Experience
– Session 653, April 4, 1973 9:23 P.M. Wednesday

[... 1 paragraph ...]

(Seth came through Sunday night, April 1, in a long recorded discussion with the Monroes. We were all to meet again late Monday. Beginning Monday morning, however, Jane began experiencing another strongly surging burst of creative inspiration — a clearly transcendent one that lasted for several hours. She’d had intimations of it Sunday afternoon before our guests arrived. I’m describing the phenomenon here, and including rather long excerpts from her written report of it, to show some of her other psychic activities while this book is being produced. At the same time such perceptions give insights into the book itself.

[... 1 paragraph ...]

(“Sunday afternoon before our visitors came,” she wrote, “I’d begun reading a book by Ralph Waldo Emerson [the poet and philosopher who lived from 1803–82]. I came across his essay, The Poet, in which he talked about the ‘speakers’ as being those who use their inner abilities to ‘speak the inner secrets of nature.’ The essay impressed me strongly, seeming to echo elements in my own writing and psychic characteristics; and of course I thought of Seth’s ‘Speakers’ as he described them in Chapter Twenty of Seth Speaks. [According to Seth, Emerson was a Speaker too!] Then Bob Monroe and his wife arrived, and we had a busy evening. Seth came through, and so forth.

[... 3 paragraphs ...]

Their massive lives straddle ours,

[... 18 paragraphs ...]

but our lives are like

[... 7 paragraphs ...]

(“As I struggled through these, my subjective state changed to such a degree that I called Rob again. I began to sense the Speakers’ ‘massive lives,’ and I realized that I had gone beyond the poem. The inspiration was now directing my perception so that as I looked around, the world was altered. When this happens to me, this state that we think of as subjective life turns real and objective, and is then viewed in the same way that our normal physical life is.

[... 1 paragraph ...]

(“From my desk in my study I faced the windows of our small kitchen. I could look through the treetops beyond them — we live on the second floor — and down to the street on the next block. Not three-dimensionally, but in another way more vividly, I … saw … sensed … massive figures standing around the edge of that physical view; and around the edges of the world. My eyes were open, of course. With my inner sight I felt that one of those forms, sturdy and impossibly massive, might bend down and with his gigantic face peek into my kitchen window … though I was also aware that all of this was my interpretation of what I was receiving.

[... 6 paragraphs ...]

(“…the next thing I knew I was back in bed, but massive again, and for a moment frightened: My left hand, above me on the pillow, had turned into an eagle’s claw. My eyes were closed, but as far as physical sensation was concerned that’s what it was. I felt this fantastic power in my hand; it tried to grip as an eagle’s claw would. I felt … the weirdest kind of … armor, the alien yet tough and resilient claw instead of flesh in our terms. Then my shoulders and the whole top area of my back began to turn into a great eagle, wings flapping; the surging power and alien sensations were astounding….

[... 3 paragraphs ...]

(Echoes of Jane’s transcendent experience persisted for days. She also recalled details she had omitted from her written record — usually the memory of these was triggered by ordinary events in our daily lives.

[... 19 paragraphs ...]

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