2 results for (book:nopr AND session:653 AND stemmed:book)
(We were visited over the weekend by Robert Monroe and his wife, Nancy; they live on a farm in central Virginia. Bob Monroe is the author of Journeys Out of the Body,1 the book that Jane and I regard as the premier work on the subject. Among many things, he wanted to tell Jane about the research complex, tentatively called The Mentronics Institute — or System — that he’s building on his farm. It will be used “by just a bunch of guys” to study various phases of psychic activity. These “guys” then will be doctors, parapsychologists, psychiatrists, and members of other scientific disciplines.
(Seth came through Sunday night, April 1, in a long recorded discussion with the Monroes. We were all to meet again late Monday. Beginning Monday morning, however, Jane began experiencing another strongly surging burst of creative inspiration — a clearly transcendent one that lasted for several hours. She’d had intimations of it Sunday afternoon before our guests arrived. I’m describing the phenomenon here, and including rather long excerpts from her written report of it, to show some of her other psychic activities while this book is being produced. At the same time such perceptions give insights into the book itself.
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(“Sunday afternoon before our visitors came,” she wrote, “I’d begun reading a book by Ralph Waldo Emerson [the poet and philosopher who lived from 1803–82]. I came across his essay, The Poet, in which he talked about the ‘speakers’ as being those who use their inner abilities to ‘speak the inner secrets of nature.’ The essay impressed me strongly, seeming to echo elements in my own writing and psychic characteristics; and of course I thought of Seth’s ‘Speakers’ as he described them in Chapter Twenty of Seth Speaks. [According to Seth, Emerson was a Speaker too!] Then Bob Monroe and his wife arrived, and we had a busy evening. Seth came through, and so forth.
(“As I sat at my desk the next morning, April 2, I was suddenly filled with the strongest, most vivid kind of inspiration I think I’ve ever had. I was swept along by it all day long, writing in a fever, agitated yet exultant. The result was a nine-page poem called Dialogues of the Speakers, which may or may not continue into a book. This is the way the book of poetry that I finished early in March, Dialogues of the Soul and Mortal Self in Time, began.
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(1. Seth deals with cellular memory to some extent in the 638th session in Chapter Ten; also see the 632nd and 637th sessions. Among other material covering altered states of consciousness on Jane’s part, refer to her Introduction, as well as the notes for the 639th session in Chapter Ten, and the 645th session in Chapter Eleven. By the looks of things, she’ll have more such episodes that we can add to later chapters. She plans to study all of her experiences with various stages of consciousness in her book, Aspect Psychology.
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The writer is put up with if books result in either fame or fortune. The poet is scarcely tolerated, for usually his or her gifts bring neither.
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They represent your experience on other than physical levels. My dear friend Ruburt (briefly louder) has to some extent given an analogy of this in the first Oversoul 7 book, a novel. You perceive a certain event as present. Your beliefs give it entry through the nerve synapses, and attract it. It then seems to become the past. You have only tuned into a portion of it physically, though; that past event continues to exist with its own “future,” which you may or may not perceive, according to which probable action you pull into your next experiences of actuality.
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