“Seth material” search engine (Jane Roberts)

There are many other natural and spontaneous kinds of comprehension that can also result from the waking and sleeping rhythms that I have suggested. The unconscious, the color black, and death all have strongly negative connotations in which the inner self is feared; the dream state is mistrusted and often suggests thoughts of both death and/or evil. But changed wake-sleep habits can, again, bring about a transformation in which it is obvious that dreams contain great wisdom and creativity, that the unconscious is indeed quite conscious, and that in fact the individual sense of identity can be retained in the dream state. The fear of self-annihilation, symbolically thought of as death, can then no longer apply as it did before.

(9:30. I saw a large black winged ant crawling on the back of Jane’s rocker, close to her head. The next second it was on her neck. She jumped up in mid-delivery, brushing instinctively at something she couldn’t have seen. Dazed, she sank back into her chair. “A bug will do it,” she finally said. After resting briefly she lit a cigarette and went back into trance.)

The division between the two aspects of experience begins to take on the characteristics of completely diverse behavior. The unconscious becomes more and more unfamiliar to consciousness. Those beliefs build up about it, and the symbolisms involved are exaggerated. The unknown seems to be threatening and degenerate. The color black assumes stronger tendencies in its connection with evil — something to be avoided. Self-annihilation seems to be a threat ever-present in the dream or sleep state. At the same time all of those flamboyant, creative, spontaneous, emotional surges that emerge normally from the unconscious become feared and projected outward, then, upon enemies, other races and creeds.