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NoPR Part Two: Chapter 11: Session 645, March 5, 1973 11/50 (22%) core bridge beliefs invisible sensual
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 11: The Conscious Mind as the Carrier of Beliefs. Your Beliefs in Relation to Health and Satisfaction
– Session 645, March 5, 1973 9:40 P.M. Monday

[... 9 paragraphs ...]

(9:50.) This subject leads to what I will call bridge beliefs, and again Ruburt received some information on this topic ahead of time for his own benefit. (See the notes prefacing the last session.) As you examine your ideas you will discover that even some apparently contradictory ones have similarities, and these resemblances may be used to bridge the gaps between beliefs — even those that seem to be the most diverse. Because you are the individual who holds the beliefs you will stamp them, so to speak, with certain characteristics that you will recognize. These aspects will themselves emerge as bridge beliefs. They contain great motion and energy. When you discover what they are, you will find a point of unity within yourself from which you can with some detachment, view your other systems of belief.

[... 11 paragraphs ...]

Dictation: Since this book was begun, Ruburt has been working with his beliefs, and using methods in his own way as every reader must.

[... 1 paragraph ...]

(Pause.) Ruburt is determined, persistent, stubborn, with great energy; creative, intuitive, and endowed with excellent flexibility of consciousness. He built his life around the core belief in himself as a writer.

[... 3 paragraphs ...]

As he worked with his beliefs, Ruburt found himself in a position where he came face to face with two conflicting core beliefs. His “writing self” followed one belief, in which writing certain material was permissible and good. He had schooled himself to refute any opposing impulses, and built his life along those lines from a young age.

[... 1 paragraph ...]

He proceeded to make two divisions in his life, one “psychic,” and the other “the writing self.” The writing self looked askance at any creative material that did not come from the kinds of inspiration with which it was previously familiar. It insisted that other creative material come outside of Ruburt’s five-hour writing day. These beliefs generated their own emotions, of course, so that Ruburt would become angry when thought of as a “psychic” by others.

The same kind of dilemma can arise in any reader’s experience whenever two strongly conflicting core beliefs meet. Ruburt also believed in his psychic work, you see, and was fully committed to it. He developed some physical symptoms, and following through with his beliefs he is working them out on his own. He saw for himself how they perfectly mirrored his inner image of himself.

[... 1 paragraph ...]

If you believe in healers then they can help you, but all of those aids are only temporary at best. Ruburt was in a position where he realized that. He accepted the fact that he formed his own reality, and that there were physical aspects of it that disturbed him deeply. He also understood (long pause), that he could not use me as a crutch.

Dialogues (see the 639th session in Chapter Ten) is now a book, just completed, but it also represented a movement of the self through a question-and-answer format, through which Ruburt recognized and faced many diverse beliefs. Each reader can utilize the same method whether or not artistic achievement is also involved, through objectifying personal beliefs in a dialogue form. This also happens frequently in the dream state, when you allow your natural creativity so much freedom. Often there are dreams in which “you” are two separate people, either strangers or familiar, each asking questions of the other.

The day Ruburt received the “advance” information on bridge beliefs (see the last session), the obvious suddenly became clear. The writing self was finding itself more and more hampered, unable to use excellent material because of its limited beliefs. It focused so defensively on its own material that it was hampering its flow of creativity, while the “unacceptable” aspects of Ruburt merrily went on creating other books, not even including my own.

Ruburt found himself bargaining with the early writing self, and suddenly said, “What am I doing?”

[... 7 paragraphs ...]

Now: Ruburt also saw that he believed he had to justify his existence through his writing. This because he did not trust the basic right of his being as it existed, and does, in space and time. These old beliefs had not caught up to his newer ones.

[... 5 paragraphs ...]

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