1 result for (book:nopr AND session:645 AND stemmed:creativ)
[... 23 paragraphs ...]
(Pause.) Ruburt is determined, persistent, stubborn, with great energy; creative, intuitive, and endowed with excellent flexibility of consciousness. He built his life around the core belief in himself as a writer.
[... 4 paragraphs ...]
With the initiation of psychic experience, he found himself wanting to write about what happened to him, and to use the material creatively. The previous beliefs in himself as a writer, however, clashed with these new urges because he did not consider anything but fiction as the work of a writer, except for poetry.
He proceeded to make two divisions in his life, one “psychic,” and the other “the writing self.” The writing self looked askance at any creative material that did not come from the kinds of inspiration with which it was previously familiar. It insisted that other creative material come outside of Ruburt’s five-hour writing day. These beliefs generated their own emotions, of course, so that Ruburt would become angry when thought of as a “psychic” by others.
[... 1 paragraph ...]
(11:12.) I gave him helpful information, but this could only be used by him as he felt it for himself and traveled through his own system of beliefs. When you understand the nature of reality and your part in forming it, then you can no longer look to others to solve your problems for you, and you realize that your own beliefs are the rich creative elements that you yourself must mix and match. If you think that certain foods will help you, then they will be effective in that system — because of your beliefs. If you believe in doctors, then they will help you.
[... 1 paragraph ...]
Dialogues (see the 639th session in Chapter Ten) is now a book, just completed, but it also represented a movement of the self through a question-and-answer format, through which Ruburt recognized and faced many diverse beliefs. Each reader can utilize the same method whether or not artistic achievement is also involved, through objectifying personal beliefs in a dialogue form. This also happens frequently in the dream state, when you allow your natural creativity so much freedom. Often there are dreams in which “you” are two separate people, either strangers or familiar, each asking questions of the other.
The day Ruburt received the “advance” information on bridge beliefs (see the last session), the obvious suddenly became clear. The writing self was finding itself more and more hampered, unable to use excellent material because of its limited beliefs. It focused so defensively on its own material that it was hampering its flow of creativity, while the “unacceptable” aspects of Ruburt merrily went on creating other books, not even including my own.
[... 9 paragraphs ...]
The same artificial need to vindicate being is present in many of my readers, and various core beliefs may be built up to hide this inner insecurity. You may “justify your life” by biological creativity, and then latch onto your children and never want to let them go. You may use your career instead. But in all cases you must come to grips with such unnecessary ideas, face the reality of your creaturehood, and see that you certainly have as much of a place in the universe as a squirrel, an ant or a leaf. You do not question their right to exist. Why question your own?
[... 4 paragraphs ...]