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NoPR Part Two: Chapter 11: Session 645, March 5, 1973 5/50 (10%) core bridge beliefs invisible sensual
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 11: The Conscious Mind as the Carrier of Beliefs. Your Beliefs in Relation to Health and Satisfaction
– Session 645, March 5, 1973 9:40 P.M. Monday

[... 7 paragraphs ...]

If you think of these as planets, then your other ideas orbit about them. There may be some “invisible beliefs,” and there may be one or two invisible core beliefs. These, following the analogy, would be hidden behind the other brighter, more obvious “planets,” and yet would show their presence through their effects upon your relationships with all of the other visible core beliefs in your “planetary system.”

[... 19 paragraphs ...]

As he worked with his beliefs, Ruburt found himself in a position where he came face to face with two conflicting core beliefs. His “writing self” followed one belief, in which writing certain material was permissible and good. He had schooled himself to refute any opposing impulses, and built his life along those lines from a young age.

[... 1 paragraph ...]

He proceeded to make two divisions in his life, one “psychic,” and the other “the writing self.” The writing self looked askance at any creative material that did not come from the kinds of inspiration with which it was previously familiar. It insisted that other creative material come outside of Ruburt’s five-hour writing day. These beliefs generated their own emotions, of course, so that Ruburt would become angry when thought of as a “psychic” by others.

The same kind of dilemma can arise in any reader’s experience whenever two strongly conflicting core beliefs meet. Ruburt also believed in his psychic work, you see, and was fully committed to it. He developed some physical symptoms, and following through with his beliefs he is working them out on his own. He saw for himself how they perfectly mirrored his inner image of himself.

[... 2 paragraphs ...]

Dialogues (see the 639th session in Chapter Ten) is now a book, just completed, but it also represented a movement of the self through a question-and-answer format, through which Ruburt recognized and faced many diverse beliefs. Each reader can utilize the same method whether or not artistic achievement is also involved, through objectifying personal beliefs in a dialogue form. This also happens frequently in the dream state, when you allow your natural creativity so much freedom. Often there are dreams in which “you” are two separate people, either strangers or familiar, each asking questions of the other.

[... 15 paragraphs ...]

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