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NoPR Part Two: Chapter 10: Session 641, February 19, 1973 3/47 (6%) therapy imbalances sculpture drugs chemical
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 641, February 19, 1973 9:42 P.M. Monday

[... 9 paragraphs ...]

In them of course one object may be a symbol, but there is no such thing as an overall statement of dream symbolism, in which a given symbol will have a general meaning. There are too many variations in personal experience. It is true that in dreams you do reach some of the deepest sources of your being at times, but even there, the expression of that being is far too individualistic to assign the same kind of “unconscious” meaning to overall symbols.

(9:54.) Again, there can be a useful analogy in the field of art. While artists all use the same “material” — the human experience — it is still the brilliant uniqueness or individuality pointing out and riding upon that shared human performance that makes a work “great.” Afterward the critics may point out patterns, assign the work to a certain school, connect the images or symbols to those in other paintings — and then make the mistake of believing the symbols to be general, always apt, meaning the same thing wherever they are found. But all of this may have little to do with the artist’s interpretation of his own symbols, or with his personal experience, so he may wonder how the critics could read this into his work.

[... 23 paragraphs ...]

Personality differences then obviously have a great deal to do with the kind of illness adopted, or the “mars” you may inflict upon your own living sculpture.

[... 11 paragraphs ...]

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