“Seth material” search engine (Jane Roberts)

(9:54.) Again, there can be a useful analogy in the field of art. While artists all use the same “material” — the human experience — it is still the brilliant uniqueness or individuality pointing out and riding upon that shared human performance that makes a work “great.” Afterward the critics may point out patterns, assign the work to a certain school, connect the images or symbols to those in other paintings — and then make the mistake of believing the symbols to be general, always apt, meaning the same thing wherever they are found. But all of this may have little to do with the artist’s interpretation of his own symbols, or with his personal experience, so he may wonder how the critics could read this into his work.

With dreams the same is true. No one really knows their meaning but yourself. If you read books in which you are told that a certain object always represents such and such, then you are like the artist who accepts the critic’s idea of the symbols in his own work. You will feel alienated from your dreams since you are trying to make them follow a pattern that is not yours.

The new balance signals the organism that an inner problem has been resolved. The body, mind and psyche are then more or less operating together. When new psychic challenges arise, another round of natural therapy begins in rhythmic pattern. When imbalances of a physical nature are removed by the introduction of drugs, however, the body signals say that the inner dilemma must have been taken care of also — while this may not be the case at all (very positively).