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NoPR Part Two: Chapter 10: Session 640, February 14, 1973 4/54 (7%) therapeutic therapy illumination grace chemicals
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 640, February 14, 1973 9:27 P.M. Wednesday

[... 15 paragraphs ...]

You often avoid this natural treatment, however, and run from frightening conscious thoughts that would in their turn lead you to the source of “negative” beliefs, where they could be faced; you could then travel through them, so to speak, into feelings of joy and victory. Instead, for example, many of you accept the way of drugs, where such feelings and thoughts are thrust upon you, or forced out of you while you are denied the stabilizing comforts of the conscious mind.

[... 5 paragraphs ...]

Fire has one meaning if you are afraid of it, another if you consider it a source of warmth; and either of these two meanings will also be colored by any of the endless variations of personal events that any individual might have encountered with it. Your own knowledge of dream symbols and their personal meaning is so opaque simply because you are not used to examining them with your conscious mind. You have been taught that it cannot understand. The great interconnections between waking and dreaming experience then escape you. You do not realize the many physical problems that are solved for you, and by you, in your dreams.

[... 11 paragraphs ...]

The framework of sex is another natural therapeutic system if you have not already hampered its effectiveness by contrary beliefs. Natural “mystical” experience, unclothed in dogma, is the original religious therapy that is so often distorted in ecclesiastical organizations, but it represents man’s innate recognition of his oneness with the source of his own being, and of his own experience.

[... 10 paragraphs ...]

(Long pause.) Those innate bodily abilities also help sustain you as you continually create the image. (Pause.) The source for all of this creativity springs from your own inner identity, which is never completely materialized in flesh, and so you always have unused portions of creativity at your command. You react to the body even though you form it. In those terms there is a constant interaction between the creation and the creator, and in three-dimensional reality the creator is so a part of his handiwork that it is difficult to tell one from the other.

[... 8 paragraphs ...]

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