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NoPR Part Two: Chapter 10: Session 640, February 14, 1973 12/54 (22%) therapeutic therapy illumination grace chemicals
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 640, February 14, 1973 9:27 P.M. Wednesday

[... 5 paragraphs ...]

(“I’m doing all right.” Seth-Jane’s flow of cadences had been uneven since the beginning of the session, and I’d started to wonder if I should interrupt to ask what was going on. After this exchange, though, Jane’s delivery resumed its usual, rather deliberate rhythm.)

[... 7 paragraphs ...]

Music is an exterior representation, and an excellent one, of the life-giving inner sounds that act therapeutically within your body all the time. (See Chapter Five.) The music is a conscious reminder of those deeper inner rhythms, both of sound and of motion. Listening to music that you like will often bring images into your mind that show you your conscious beliefs in different form.

[... 6 paragraphs ...]

Some of these systems do touch upon legitimate portions of reality, but they all overlook the great individualistic and highly private nature of your dreams, and the fact that you create your own reality.

[... 1 paragraph ...]

This happens very frequently when you consciously set the problem before yourself, state it clearly, and then drift into sleep. The same thing happens, however, even without such a conscious set. Dreams give you all kinds of information concerning the state of your body, the world at large, and the probable exterior conditions that your present beliefs will bring about.

[... 6 paragraphs ...]

The most rejuvenating idea of all, and the greatest step to any true illumination, is the realization that your exterior life springs from the invisible world of your reality through your conscious thoughts and beliefs, for then you realize the power of your individuality and identity. You are immediately presented with choices. You can no longer see yourself as a victim of circumstances. Yet the conscious mind arose precisely to open up choices, to free you from a one-road experience, to let you use your creativity to form diversified, varied comprehensions.

[... 1 paragraph ...]

You cannot, as an instance, tell yourself vehemently, “I want to receive illumination,” and expect it to happen if all of your beliefs actually go in the other direction.

[... 4 paragraphs ...]

The soul is not only dressed in chemical clothes, but wears the apparel woven from all of the elements of the earth. As physical creatures you will be partially changed by any chemical or element, or food or drug that becomes part of your living system, but those effects will follow the nature of your beliefs.

[... 1 paragraph ...]

Another dream might provide a “dreaming” peaceful interlude in which all stress is minimized, with the overactive output of certain hormones and chemicals quieted as a result.

[... 5 paragraphs ...]

(Long pause.) Those innate bodily abilities also help sustain you as you continually create the image. (Pause.) The source for all of this creativity springs from your own inner identity, which is never completely materialized in flesh, and so you always have unused portions of creativity at your command. You react to the body even though you form it. In those terms there is a constant interaction between the creation and the creator, and in three-dimensional reality the creator is so a part of his handiwork that it is difficult to tell one from the other.

A painter puts part of himself into a painting. You put all of you of which you are aware into your body, so that it becomes you in flesh. An artist loves his painting. In physical terms it is completed when he puts down his brush — at least for him, though its effects continue. But you are creating your material image as long as you live, and manifesting yourself in it.

[... 2 paragraphs ...]

(11:44.) The features in a portrait are painted on canvas or board, but your soul is not painted on your body. It enters into and becomes part of it. Physically, you cannot contain all of your identity, and that “free” portion unconsciously creates the flesh, in your terms. Again, you direct its form through your beliefs, but the unconscious part of you does the “work” of producing it.

[... 3 paragraphs ...]

(Assembling all of these elements into a psychological whole, he declared that “the sessions, among other things, were generated by your own experiences as creatures, and your desires to look for personal answers — but more basically, to seek out the answers [asked for] by all of your race.” End at 11:50 p.m.)

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