“Seth material” search engine (Jane Roberts)

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. We think these bleed-throughs between realities are common, if largely automatic in most cases, in any area of “life.” In the arts they’re often called inspiration.

Whatever its cause or origin

Ruburt was somewhat afraid of the cat, considering him wild and caged originally, as his own mother had been in his interpretation. Ruburt therefore felt obligated to help Rooney, who did not really have any love for him — just as in his earlier years he [Jane] had felt obligated to help his mother.

The cat was a male. You and Ruburt originally called it Katherine, however, when it was still a kitten, and before you finally succeeded in coaxing it into your house. Rooney got into neighborhood scrapes, as Ruburt’s father did in bars in various parts of the country. The cat knew of the identification but was willing to trade this for several years of additional physical life, in which he also learned to relate to gentleness for the first time.