“Seth material” search engine (Jane Roberts)

Now: A few moments following Ruburt’s experience with the rain creature, he had another. His eyes were wide open and he stood in the exceedingly small kitchen — when suddenly there appeared before him a round soft yellow light.

He saw it physically, yet could find no physical cause for it. It lasted several seconds and disappeared. As soon as Ruburt saw it he leaped back. The last line in the poem he had completed just before dinner spoke of a light that would illuminate both worlds, one of the soul and one of the flesh. Consciously he thought the light must have been caused by lightning, even while he knew with another portion of himself that that was not the case.

A moment later the line from his poem came to him, and he made the proper connection. The conscious mind was disturbed for a moment but it assimilated the data. The meaning of the light will become even clearer through Ruburt’s dreams,³ the intuitive continuation of the poem, and physical example.

The meaning of the light will normally become unfolded as he is ready to fully perceive it. While the event has happened, therefore, like any event it is not completed. In the drug experience mentioned before (in the last session), startling, enforced symbols and occurrences are suddenly thrust upon the conscious mind; and more, within a context in which time as it knows it has little meaning. It [the conscious mind] cannot reflect upon phenomena subjectively. They happen too quickly.

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. We think these bleed-throughs between realities are common, if largely automatic in most cases, in any area of “life.” In the arts they’re often called inspiration.

and fall as light

(“After supper Rob went out to get groceries. I don’t know the time but it was dark and raining hard, with flashes of soundless lightning. It was quite warm for February. I thought about going for a walk, but didn’t…. Immediately after the two experiences that Seth describes in this session, involving the rain creature and the light, I added this section to Dialogues:

‘That light, striking,

or porcupine of light,

circle of light appeared,

round, unmoving light,

and there was no beam of light

An omen? The light you spoke of

but if that light came

(“With the puddle creature I saw both realities — the puddle in physical terms, and the creature in larger than physical terms — and could switch from one reality to the other if I wanted to, I think. But the light didn’t have a physical counterpart. I think it came … from that other reality directly here, because I had my ‘windows’ open.”