1 result for (book:nopr AND session:639 AND stemmed:jane)

NoPR Part Two: Chapter 10: Session 639, February 12, 1973 8/177 (5%) Rooney puddle nightmares lsd creature
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 639, February 12, 1973 9:05 P.M. Monday

(After the last session, I told Jane that I was most intrigued by Seth’s assigning two headings to Chapter Ten, but the dilemma was hardly very complicated.)

[... 21 paragraphs ...]

(9:51. Jane’s trance had been really deep, her pace as fast as it’s been since Seth began this book. She yawned repeatedly now.

[... 20 paragraphs ...]

(11:05. Jane had no recollection of the material she’d delivered for Seth since last break.

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. We think these bleed-throughs between realities are common, if largely automatic in most cases, in any area of “life.” In the arts they’re often called inspiration.

[... 1 paragraph ...]

(“I’d been working all day,” Jane wrote, “on my book of poetry, Dialogues of the Soul and Mortal Self in Time. Working like crazy, really on a creative ‘high.’ Just before supper time I’d been writing about the single yet double universe of self and soul, and the last line had quoted the mortal self:

[... 115 paragraphs ...]

(The house in question, one of those decaying turn-of-the century Victorian piles, had squatted on the corner diagonally across the street from us. Jane often sketched it from our living room windows.

[... 1 paragraph ...]

Ruburt was somewhat afraid of the cat, considering him wild and caged originally, as his own mother had been in his interpretation. Ruburt therefore felt obligated to help Rooney, who did not really have any love for him — just as in his earlier years he [Jane] had felt obligated to help his mother.

[... 10 paragraphs ...]

(12:08. Jane didn’t remember any of that material. Seth had referred to probabilities and hinted at reincarnation in connection with Rooney, I realized as I scanned the notes, but before I could ask about such relationships he returned with a page of information for Jane on a different subject. Then when she came out of trance again, Jane said, “He’s got stuff on Willy, too,” but she was tiring. The session ended at 12:21 a.m.)

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