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NoPR Part Two: Chapter 10: Session 639, February 12, 1973 4/177 (2%) Rooney puddle nightmares lsd creature
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 639, February 12, 1973 9:05 P.M. Monday

[... 7 paragraphs ...]

Your ideas themselves follow certain laws of creativity. They have their own rhythms. The associative processes of your mind, working through the brain, have great connection with the minute behavior of your cells. As you learn to use your thoughts, or even as they naturally change, resulting alterations take place within the cells. There is an orderly progression, an intimate relationship.

[... 32 paragraphs ...]

In physical life the soul is clothed in chemicals, and you will use the ingredients you take into your body to form an image that is in line with your beliefs. Some of these ideas will undoubtedly be accepted by you from your culture. Others will be your own private interpretation of yourself in flesh. Your beliefs about any chemical will affect what it does to you. Under LSD therapy you expect a drastic reaction and are told to prepare yourself. Your experience will follow your beliefs and your therapist’s, communicated verbally and telepathically.

[... 3 paragraphs ...]

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. We think these bleed-throughs between realities are common, if largely automatic in most cases, in any area of “life.” In the arts they’re often called inspiration.

[... 110 paragraphs ...]

Ideas form reality, so the body is used to reacting to some “imaginary” situations in which, for example, the mind conjures up dire circumstances which do not physically exist; but these still force the organism into an over-activation, setting up a state of stress. In massive drug therapy the body feels in greatest threat, for it is forced to use all of its resources while its own signals tell it that the messages it is getting do not have a correlation — and yet they are of the most urgent nature.

[... 20 paragraphs ...]

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