“Seth material” search engine (Jane Roberts)

All of your physical experience must, of course, be pivoted in the corporeal reality of the body. The energy that moves your image comes from the soul. Through your own thoughts you direct the body’s expression, and it can be of health or of illness. Out of a knowledge of the contents of your own conscious mind you can definitely heal most maladies of the body, within conditions to be given later.

When massive doses of LSD are used, you are artificially creating a disaster area from which you hope to salvage an efficient working self. It is true that the old interactions between an associative pattern of thought and its habitual action may be broken down, but it is also true that the inner-ordered structure has been shocked psychically and biologically.

He was filled with joy as he observed this reality. He knew that in the physical world the puddle was flat, but that he was perceiving another just-as-solid reality; a larger one, in fact, in which that rain creature had its being.

It is always because you do not trust the natural self that you resort to such drug therapy. The individuals who seek out treatment fear the nature of their own identity more than anything else. They are then only too willing to sacrifice it. (Pause, then smiling:) Your thoughts and beliefs form your reality. There is, as Joseph (Seth’s name for me) said in our break, no magic therapy — only an understanding of your own great creativity, and the knowledge that you yourself make your world.

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. We think these bleed-throughs between realities are common, if largely automatic in most cases, in any area of “life.” In the arts they’re often called inspiration.

(“With the puddle creature I saw both realities — the puddle in physical terms, and the creature in larger than physical terms — and could switch from one reality to the other if I wanted to, I think. But the light didn’t have a physical counterpart. I think it came … from that other reality directly here, because I had my ‘windows’ open.”

Ideas form reality, so the body is used to reacting to some “imaginary” situations in which, for example, the mind conjures up dire circumstances which do not physically exist; but these still force the organism into an over-activation, setting up a state of stress. In massive drug therapy the body feels in greatest threat, for it is forced to use all of its resources while its own signals tell it that the messages it is getting do not have a correlation — and yet they are of the most urgent nature.

Give us a moment… The cat would have died that winter. In your terms it was a probable death. In a part of his reality he did die that winter. In your reality, you kept him alive. He had been closed up in that house over there, and went wild and terrified.