2 results for (book:nopr AND session:638 AND stemmed:energi)

▼ NoPR Part One: Chapter 9: Session 638, February 7, 1973 1/34 (3%) lsd conscience oversoul nirvana Rooney
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part One: Where You and the World Meet
– Chapter 9: Natural Grace, the Frameworks of Creativity, and the Health of Your Body and Mind. The Birth of Conscience
– Session 638, February 7, 1973 9:09 P.M. Wednesday

[... 3 paragraphs ...]

(Even so, her use of energy in ESP class Tuesday night was remarkable once again; she alternated between Seth and singing in Sumari throughout the evening.

[... 29 paragraphs ...]

▼ NoPR Part Two: Chapter 10: Session 638, February 7, 1973 3/63 (5%) doses lsd illumination enforced assault
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 10: The Nature of Spontaneous Illumination, and the Nature of Enforced Illumination. The Soul in Chemical Clothes
– Session 638, February 7, 1973 9:09 P.M. Wednesday

[... 38 paragraphs ...]

They also share other beliefs, for example: That the inner self is a repository for repressed fears, terrors, and uncivilized savagery; that the inner self must be forced to get rid of such material before it is possible for it to express its power, energy and strength in creative, positive terms; and that, therefore, the self must first encounter and deal with all those terrors of its past before it can be free of the fears of the present.

[... 20 paragraphs ...]

(End at 11:55 p.m. “Now I’ve got all this energy left over,” Jane said, after quickly coming out of trance. “I feel it going through me. I could go for a long walk or play badminton — or even have a session,” she joked.

(It isn’t contradictory to say that Jane did have energy, even though she was tired. At midnight she sang a short song to me in Sumari. The song was very clear, lyrical and restful; I had been in a low mood today and now she tried to cheer me up. As always, I thought she seemed transported as she sang so beautifully, sitting in her rocker with her head tipped back and her eyes closed. She uses real power in Sumari at times, then contrasts it with very delicate passages. Her breath control is excellent. She’s had no musical training.

[... 1 paragraph ...]

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