2 results for (book:nopr AND session:630 AND stemmed:do)
[... 4 paragraphs ...]
Give some thought to experimentation, observing the nature of color in usual consciousness and in altered states. Pay attention to color in your dreams also. You should go into your own ideas about the people you paint, and why, being fascinated with portraits, you often do not use models.
[... 3 paragraphs ...]
I am indeed. For this will short-circuit some of your hang-ups as far as painting is concerned and will lead to new spontaneous painting power (humorously). You will also consider it a work of merit, and you will be doing your own thing with your experience. I know that the impetus alone will quite slyly and automatically produce some excellent paintings. You will want to use them. I will not tell you in what particular way this sneaks by some of your problems now, or which ones are involved. I suggest that you do up a prospectus, an outline, and some few beginning pages — say a chapter or so.
[... 2 paragraphs ...]
(9:42. “I’m so surprised I haven’t even put my glasses back on yet,” Jane exclaimed after she’d come out of trance. Neither of us have been thinking of such a project, which isn’t to say the idea of my doing a book involving Seth, at least in part, hasn’t occurred to me occasionally.
(“I’m really surprised when something like this happens to me in a session,” Jane said. “It’s so different from what I’ve been thinking about, or doing. I can see a center section of the book right now, with your illustrations. And I can see Seth’s portrait on the back cover.” She pointed over her right shoulder to where the painting — which is reproduced in The Seth Material — hangs on our living room wall just in back of her rocker.
[... 1 paragraph ...]
Now: This book will be a good advertisement for the later book that I will do — and if you insert what I have told you in the book I am doing now, people will already begin to look forward to your book.
[... 4 paragraphs ...]
2. Jane referred here to the deleted part of tonight’s session, and Seth’s discussion therein of the work we are to do in translating early Speaker material: “The Speaker manuscripts are in your future, and will involve as I told you considerable work — a labor of love.” See the notes following the 623rd session in Chapter Five. Also consult Chapter Seventeen in Seth Speaks.
[... 5 paragraphs ...]
Generally, people believe that ideas have little to do with the living flesh. The flesh seems physical and ideas do not. Those given to love of the intellect often make an unnecessary separation between the world of concepts and that of the flesh.
[... 7 paragraphs ...]