“Seth material” search engine (Jane Roberts)

(9:28.) The atoms and molecules within you are quite literally dying and being completely replaced all the time. You are being created physically each instant. Period. The body reacts to exterior sounds and to the stimuli brought to it by the physical senses. These patterns of reaction can be clearly shown. They are all that is presently observable, however, of far greater interactions that also occur.

The atoms and molecules that compose your cells and your flesh, for instance, do not react to the physical sounds that you hear or to the light patterns that your physical eyes perceive. In times of danger your entire body must be able to move swiftly. The hormonal system must react with great rapidity, sometimes completely changing the balance of a moment earlier. The muscles must be immediately alert, and the entire body flexible enough to respond as a whole. This includes every organ and the most minute portion.

By the time the organism responds the inner patterns have already reacted, and this must and always does precede any physical response to stimuli. Therefore the invisible body pattern, composed of its interior light, sound and electromagnetic properties, reacts first, and actually initiates the later physical response.

(Slowly:) There is always this translation of exterior stimuli. The perceived lapse noted by scientists is of course the physical one (leaning forward, hand to closed eyes), caused by the “time” it takes the message to leap the nerve endings.³  The interior translation however is simultaneous.

Consciously you react to the physical data — the noise, the squeal of brakes perhaps, the visual shock of seeing the car so close, but the entire inner reality of that scene or event is instantly “recognized” by what I refer to as your inner senses. (See the note at the end of the session.) These respond to the interior patterns I’ve told you about. The physical data is carried through the nerves with the necessary time lapses that must occur. These represent the temporal end of the spectrum of perception.

(10:47. “Boy, I’m telling you I was out that time, I really was,” Jane said. “The house could have fallen down, I think … I had that thing again where you’re in it so deep that you’re a part of it — the feeling where you’re in the guts of things.

(“It’s a real weird kind of inner focus. There’s a great kind of fulfilling sense of triumph, doing it, like you’re pulling stuff out of the secret nature of things. I can’t say where you go or what you do. After all this time I’m still amazed that [this book] comes out all finished,” she said. “Usually I don’t want anybody else around for this. You cut out everything else — other people would cause you to pick up on them, or be distracting….”