“Seth material” search engine (Jane Roberts)

These sound values are literally interwoven in an electromagnetic pattern. The sounds weave (gesturing) themselves through, and help form this pattern. The activity of cells within the body also causes what you might call minute explosions of interior sound. (Long pause.) The electromagnetic and inner sound patterns are impinged upon by certain kinds of light. Together these all form the prototype upon which, and out of which, the physical body is formed.

Now: When you create a mental image in your mind it is composed of the same properties just mentioned. A mental image then is also a pattern of internal sound with electromagnetic properties imbued with certain light values. In a sense, and a very real one, the mental image is incipient matter; and any structure so composed, combining the electromagnetic sound and light values, will automatically try to reproduce itself in physical existence, or materialization. (Long pause.) There is a definite connection, then, with the nature of such images and the way in which your body itself is composed.

(Pause at 9:25.) Electrons, atoms, and molecules¹ all have their independent interior sound and light values. There are definite sounds produced when messages leap from your nerve ends.² It is very difficult to explain some of this, but there is “invisible” light, then, and inaudible sound, that affects your body and helps form the pattern about which it constantly emerges.

(9:28.) The atoms and molecules within you are quite literally dying and being completely replaced all the time. You are being created physically each instant. Period. The body reacts to exterior sounds and to the stimuli brought to it by the physical senses. These patterns of reaction can be clearly shown. They are all that is presently observable, however, of far greater interactions that also occur.

The atoms and molecules that compose your cells and your flesh, for instance, do not react to the physical sounds that you hear or to the light patterns that your physical eyes perceive. In times of danger your entire body must be able to move swiftly. The hormonal system must react with great rapidity, sometimes completely changing the balance of a moment earlier. The muscles must be immediately alert, and the entire body flexible enough to respond as a whole. This includes every organ and the most minute portion.

Now: (Pause.) The nerves are also composed of the same kind of interior structures as mentioned earlier (in this chapter): around, or rather from which, the physical nerves form. Here the exterior data is translated and broken down into inner terms. That is, it is decoded in terms of the internal sound, light, and electromagnetic patterns discussed before.

By the time the organism responds the inner patterns have already reacted, and this must and always does precede any physical response to stimuli. Therefore the invisible body pattern, composed of its interior light, sound and electromagnetic properties, reacts first, and actually initiates the later physical response.

Now return in your mind to the situation of the near accident. That event with the car, its driver, and your own precarious position, exists as another structure beside the one that you physically see. It also — the event — exists in the terms mentioned earlier, in a reality composed of invisible light, inaudible sound, and electromagnetic patterns.

Consciously you react to the physical data — the noise, the squeal of brakes perhaps, the visual shock of seeing the car so close, but the entire inner reality of that scene or event is instantly “recognized” by what I refer to as your inner senses. (See the note at the end of the session.) These respond to the interior patterns I’ve told you about. The physical data is carried through the nerves with the necessary time lapses that must occur. These represent the temporal end of the spectrum of perception.

Now before you see anything physically, you do so through these inner pathways. The interior perception activates the outside one. When you experience physical motion or activity, events or phenomena, you are becoming aware of the tail end of a long “series” of interior comprehensions. I am saying that all exterior events, including your own bodies with their insides, all objects, all physical materializations, are the outside structures of inside ones that are composed of interior sound and invisible light, interwoven in electromagnetic patterns.

(10:28.) Beneath temporal perception, then, each object and event exists in these terms, in patterns that interact with each other. On a physical level you seem to be separated from everything that is not yourself. This is not true, but in your day-to-day existence it seems to be, and it is an assumption that you usually take for granted.

Ideas represent your psychic intent. They generate emotion and imagination. These activate the interior patterns. They are the motive force of action (pause), the means by which all interior events are exteriorized. They are energy formed and directed, formulations of interior and exterior patterns of reality. They are a part of the creative force from which all realities spring. Again, we run into difficulties in explanation simply because there are few verbal equivalents for what I am trying to say.