“Seth material” search engine (Jane Roberts)

Dictation: The body reacts not so much to physical sound as to the interior sounds into which the physical sounds are translated. As mentioned (in the last two sessions), it also reacts to sounds that have no physical “counterparts.”

There are certain properties within the structure of the chromosomes that must be activated by specific internal sound values. If this activation does not take place then the “attributes” latent within the chromosomes remain so.

There are chains of influence that are actually composed of inner values of sound that thread together, as it were, the complicated interweavings of both the genes and chromosomes.

These sound values are literally interwoven in an electromagnetic pattern. The sounds weave (gesturing) themselves through, and help form this pattern. The activity of cells within the body also causes what you might call minute explosions of interior sound. (Long pause.) The electromagnetic and inner sound patterns are impinged upon by certain kinds of light. Together these all form the prototype upon which, and out of which, the physical body is formed.

Now: When you create a mental image in your mind it is composed of the same properties just mentioned. A mental image then is also a pattern of internal sound with electromagnetic properties imbued with certain light values. In a sense, and a very real one, the mental image is incipient matter; and any structure so composed, combining the electromagnetic sound and light values, will automatically try to reproduce itself in physical existence, or materialization. (Long pause.) There is a definite connection, then, with the nature of such images and the way in which your body itself is composed.

(Pause at 9:25.) Electrons, atoms, and molecules¹ all have their independent interior sound and light values. There are definite sounds produced when messages leap from your nerve ends.² It is very difficult to explain some of this, but there is “invisible” light, then, and inaudible sound, that affects your body and helps form the pattern about which it constantly emerges.

(9:28.) The atoms and molecules within you are quite literally dying and being completely replaced all the time. You are being created physically each instant. Period. The body reacts to exterior sounds and to the stimuli brought to it by the physical senses. These patterns of reaction can be clearly shown. They are all that is presently observable, however, of far greater interactions that also occur.

The atoms and molecules that compose your cells and your flesh, for instance, do not react to the physical sounds that you hear or to the light patterns that your physical eyes perceive. In times of danger your entire body must be able to move swiftly. The hormonal system must react with great rapidity, sometimes completely changing the balance of a moment earlier. The muscles must be immediately alert, and the entire body flexible enough to respond as a whole. This includes every organ and the most minute portion.

Now: (Pause.) The nerves are also composed of the same kind of interior structures as mentioned earlier (in this chapter): around, or rather from which, the physical nerves form. Here the exterior data is translated and broken down into inner terms. That is, it is decoded in terms of the internal sound, light, and electromagnetic patterns discussed before.

By the time the organism responds the inner patterns have already reacted, and this must and always does precede any physical response to stimuli. Therefore the invisible body pattern, composed of its interior light, sound and electromagnetic properties, reacts first, and actually initiates the later physical response.

Now return in your mind to the situation of the near accident. That event with the car, its driver, and your own precarious position, exists as another structure beside the one that you physically see. It also — the event — exists in the terms mentioned earlier, in a reality composed of invisible light, inaudible sound, and electromagnetic patterns.

Consciously you react to the physical data — the noise, the squeal of brakes perhaps, the visual shock of seeing the car so close, but the entire inner reality of that scene or event is instantly “recognized” by what I refer to as your inner senses. (See the note at the end of the session.) These respond to the interior patterns I’ve told you about. The physical data is carried through the nerves with the necessary time lapses that must occur. These represent the temporal end of the spectrum of perception.

Now before you see anything physically, you do so through these inner pathways. The interior perception activates the outside one. When you experience physical motion or activity, events or phenomena, you are becoming aware of the tail end of a long “series” of interior comprehensions. I am saying that all exterior events, including your own bodies with their insides, all objects, all physical materializations, are the outside structures of inside ones that are composed of interior sound and invisible light, interwoven in electromagnetic patterns.

(Pause.) On the interior level of which I have been speaking, all happenings and objects are connected. A movement or change in one affects others. You will physically respond to and recognize some of this alteration, as in the example of the near accident. But whether or not you are consciously aware of such activity, it changes the interior environment of your body through these inner pathways.

Your own thoughts and beliefs, having the same kind of inner reality, also transform the interior environments of others. The near-accident mentioned was a physical event but it was initially a mental one. It existed in this nontemporal reality then before, in your terms, it was physically materialized, perceived and reacted to.

It was propelled from inner reality to outward reality through belief, emotion and imagination. Because you cannot see them, it may seem to you that these qualities are not as real, say, as an object. Physically you can only see the results of an emotion, for instance. You cannot hold it in your hands as you can a stone.

(“It’s a real weird kind of inner focus. There’s a great kind of fulfilling sense of triumph, doing it, like you’re pulling stuff out of the secret nature of things. I can’t say where you go or what you do. After all this time I’m still amazed that [this book] comes out all finished,” she said. “Usually I don’t want anybody else around for this. You cut out everything else — other people would cause you to pick up on them, or be distracting….”

(Supplementing Seth’s mention of the inner senses during the last delivery: He’s told us about nine of these so far, and a list of them can be found in Chapter Nineteen of The Seth Material. There are more to come, too.