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NoPR Part One: Chapter 3: Session 618, September 28, 1972 7/48 (15%) core Seagull Dick unstructured belief
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part One: Where You and the World Meet
– Chapter 3: Suggestion, Telepathy, and the Grouping of Beliefs
– Session 618, September 28, 1972 9:45 P.M. Thursday

(The session was witnessed by writer Richard Bach and his editor, Eleanor Friede. They flew into Elmira yesterday after poor weather had delayed their scheduled arrival on Tuesday in time for ESP class. Dick had also visited us in late August, when Seth had Chapter One of this book under way.

[... 28 paragraphs ...]

You are not powerless before ideas. Using this analogy, you will certainly find some furniture that you did not expect. Do not simply look in the center of your inner room of consciousness; and make sure that you are on guard against the certain invisibility that was mentioned earlier (in this chapter), where an idea, quite available, appears to be a part of reality instead.

[... 5 paragraphs ...]

(10:46. Jane’s trance had been good. We were pleased that others had been present during some book dictation. The rest of the session was given over to our guests; Seth’s manner became more jovial and his pace speeded up considerably. End at about 12:30 a.m.

(Some notes added later: Dick Bach felt that he didn’t really write Seagull himself. By now the story of that book’s conception is well known: Late one night in 1959, Dick was walking beside a canal near a West Coast beach when he heard a voice say, “Jonathan Livingston Seagull.” No one else was around. He was astonished. He was even more so when, on his return home, the voice initiated images that gave him the bulk of the book in three-dimensional form. Then it stopped. On his own Dick tried unsuccessfully to finish the manuscript. Nothing happened until one day eight years later, when he suddenly wakened to hear the voice again — and with it came the rest of the book.

[... 1 paragraph ...]

(Besides this Jane’s novel, The Education of Oversoul 7, was written under similar [and yet different] circumstances. She describes the processes involved in her Introduction, along with the creation of some of her poetry.4

[... 2 paragraphs ...]

(“Your consciousness attracts the consciousness that is already connected with the material. That is one of my goodies for the evening! Information, then, becomes new and is reborn as it is interpreted through a new consciousness, as Seagull was.

[... 1 paragraph ...]

(“The truth came to you and was given to you, but the originality and uniqueness was provided by your own inner being, which may now be so separated from your conscious self that it seems to be apart from it.

[... 3 paragraphs ...]

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