“Seth material” search engine (Jane Roberts)

For years I’ve been confused, trying to define Seth in the usual true-and-false world of facts. There he’s accepted as an independent spirit — a spirit guide by those with spiritualistic beliefs — or as some displaced portion of my own personality by the scientific community. I couldn’t accept either idea, at least not in undiluted form.

While I was trying to define Seth that way and questioning whether or not he was a spirit guide, I was closed off to some extent from his greater reality, which exists in terms of vast imaginative and creative power that is bigger than the world of facts and can’t be contained in it. Seth’s personality is quite observable in our sessions, for example, but the source of that personality isn’t. For that matter, the origin of any personality is mysterious and not apparent in the objective world. My job is to enlarge the dimensions of that world and people’s concepts of it.

Intuitively and emotionally we often understand more than we intellectually realize. Trying to define revelatory knowledge, or a Seth, in terms of our limited ideas about human personality is like trying to translate, say, a rose to the number 3, or trying to explain one in terms of the other.

The funny thing is that a personality not focused in our reality can help people live in that world more effectively and joyfully by showing them that other realities also exist. In this book Seth is saying that you can change your experience by altering your beliefs about yourself and physical existence.

The Sumari development constantly expanded as Seth produced this book. Now various altered states of consciousness are involved. In one I write Sumari poetry and in another I translate what I’ve written. At a different level I sing Sumari songs, showing musical knowledge and accomplishment far beyond my normal talents or background. The songs can also be translated, but they communicate emotionally whether or not the words are understood. In yet another state of consciousness, material is received that is supposed to represent remnants of ancient Speaker manuscripts. (These are also translated later.) Seth defines the Speakers as teachers, both physical and nonphysical, who constantly interpret and communicate inner knowledge through the ages. My husband has also written Sumari, but I have to translate it for him.

As Seth continued dictating The Nature of Personal Reality, I wrote a complete poetry manuscript, Dialogues of the Soul and Mortal Self in Time, in which I worked out many of my own beliefs as per suggestions Seth was giving in his book. This led to another group of poems, The Speakers. To me this all means that there is a rich vein of creativity and knowledge available to each according to his abilities, just beneath the surface of usual consciousness. I believe that it is a part of our human heritage, accessible to some extent to any person who explores the inner dimensions of the mind.

The Nature of Personal Reality not only enriched my creative life but challenged my ideas and beliefs. I agree wholeheartedly with the concepts Seth presents here, while realizing that they run counter to many accepted religious, social, and scientific dogmas. Certainly this book is an answer to all those who have written for help in applying Seth’s ideas to ordinary living, and I am certain that it will assist many people in dealing with the varied events and problems of daily life.

Seth’s main idea is that we create our personal reality through our conscious beliefs about ourselves, others, and the world. Following this is the concept that the “point of power” is in the present, not in the past of this life or any other. He stresses the individual’s capacity for conscious action, and provides excellent exercises designed to show each person how to apply these theories to any life situation.

Seth often uses episodes from our lives as specific examples of larger issues, and our experiences with the flood served as a starting point for his discussion of personal beliefs and disasters. In several other instances he also used our life situation as his source material — an intriguing turnabout.