“Seth material” search engine (Jane Roberts)

I’m proud to publish this book under my own name, though I don’t fully understand the mechanics of its production or the nature of the personality I assume in delivering it. I had no conscious work to do on the book at all. I simply went into trance twice a week, spoke in a “mediumistic” capacity for Seth, or as Seth, and dictated the words to my husband, Robert Butts, who wrote them down.

Just before Seth began The Nature of Personal Reality: A Seth Book, for instance, I found myself embarked on a new venture I call the Sumari development. Sumari refers to a “family” of consciousnesses who share certain overall characteristics. There is a language involved that isn’t a language in usual terms. I think that it operates as a psychological and psychic framework that frees me from normal verbal reference, letting me express and communicate inner feelings and data that lie just beneath formalized word patterns.

The Sumari development constantly expanded as Seth produced this book. Now various altered states of consciousness are involved. In one I write Sumari poetry and in another I translate what I’ve written. At a different level I sing Sumari songs, showing musical knowledge and accomplishment far beyond my normal talents or background. The songs can also be translated, but they communicate emotionally whether or not the words are understood. In yet another state of consciousness, material is received that is supposed to represent remnants of ancient Speaker manuscripts. (These are also translated later.) Seth defines the Speakers as teachers, both physical and nonphysical, who constantly interpret and communicate inner knowledge through the ages. My husband has also written Sumari, but I have to translate it for him.

As Seth continued dictating The Nature of Personal Reality, I wrote a complete poetry manuscript, Dialogues of the Soul and Mortal Self in Time, in which I worked out many of my own beliefs as per suggestions Seth was giving in his book. This led to another group of poems, The Speakers. To me this all means that there is a rich vein of creativity and knowledge available to each according to his abilities, just beneath the surface of usual consciousness. I believe that it is a part of our human heritage, accessible to some extent to any person who explores the inner dimensions of the mind.

I know that Seven and his teacher, Cyprus, exist in certain terms, yet their reality can’t be explained either in the usual fact world. For example, the novel included many Sumari poems and portions of Speaker manuscripts; and when I sing Sumari I identify with Cyprus, who is supposed to be a fictional character. I could also tune into Seven for help with personal challenges, I discovered.

The Nature of Personal Reality not only enriched my creative life but challenged my ideas and beliefs. I agree wholeheartedly with the concepts Seth presents here, while realizing that they run counter to many accepted religious, social, and scientific dogmas. Certainly this book is an answer to all those who have written for help in applying Seth’s ideas to ordinary living, and I am certain that it will assist many people in dealing with the varied events and problems of daily life.