“Seth material” search engine (Jane Roberts)

(Pause.) Briefly, remember analogies I have made in the past, comparing the landscape of physical experience to the painter’s landscape — which may be dark, gloomy, filled with portents of disaster, and yet still be a work of art. In that regard, every person paints his or her own portrait in living color — a portrait that does not simply sit in a tranquil pose at a table, but one that has the full capacity for action. Those of you now living, say, are in the same life class. You look about to see how your contemporaries are getting along with their portraits, and you find multitudinous varieties: tragic self-portraits, heroic self-portraits, comic self-portraits. And all of these portraits are alive and interacting, and as they interact they form the planetary, mass social and political events of your world.

(Then a minute later: “Another thing I just got was that when man was with other men in the physical world, he could point to stuff to share descriptions with others, but that he learned to really speak when he tried to describe dreams. It was the only way — speech — by which he could share data that couldn’t be seen. He could point to a tree and grunt, but there wasn’t anything in a dream he could point to. He had to have a method of expression to describe invisible things. Inventions could have come about when he tried to tell others what he saw in his dreams, too.”)