“Seth material” search engine (Jane Roberts)

(Pause.) Briefly, remember analogies I have made in the past, comparing the landscape of physical experience to the painter’s landscape — which may be dark, gloomy, filled with portents of disaster, and yet still be a work of art. In that regard, every person paints his or her own portrait in living color — a portrait that does not simply sit in a tranquil pose at a table, but one that has the full capacity for action. Those of you now living, say, are in the same life class. You look about to see how your contemporaries are getting along with their portraits, and you find multitudinous varieties: tragic self-portraits, heroic self-portraits, comic self-portraits. And all of these portraits are alive and interacting, and as they interact they form the planetary, mass social and political events of your world.

(Long pause at 10:01.) Your culture has its biological effect upon the species. I am not speaking of obvious connections in a derogatory manner, such as pollution and so forth. If you were thinking in old terms of evolution, then I would be saying that your cultures and civilizations actually alter the chromosomal messages. Your thoughts affect your cells, again, and they can change what are thought of as hereditary factors. Give us a moment… Your imaginations are intimately connected with your diseases, just as your imaginations are so important in all other areas of your lives. You form your being by imaginatively considering such-and-such a possibility, and your thoughts affect your body in that regard. In a way, illness is a tool used on behalf of life, for people have given it social, economic, psychological, and religious connotations. It becomes another area of activity and of expression.