“Seth material” search engine (Jane Roberts)

(The evening was very humid but cool after a late-afternoon thunderstorm. Jane felt the humidity as we sat for the session at 9:15. She had no questions for Seth, but expected him to continue his material of last Wednesday night, when he’d started an answer to my question about the relationship between the host organism and disease. This idea had come to her “pretty strongly” after supper: “It won’t be dictation. I think there’s a whole lot there — but you know, it’s not quite here yet,” she said.

As always, I will do the best that I can (smiling), using concepts with which you are familiar, at least to begin. I realize that current experience may perhaps seem contradictory to some of these ideas, so bear with me. I will, therefore, combine the idea of a disease with the idea of creativity, for the two are intimately connected.

(Pause.) These portraits, however, are the result of creativity so inborn and miraculous that they are created automatically — an automatic art. At certain levels the species is always creatively embarked upon alternate versions of itself. The overall patterns will remain. Biological integrity is [everywhere] sustained. What you think of as diseases, however, are quite creative elements working at different levels, and at many levels at once.

(9:46.) Many viruses are vital to physical existence, and in your terms there are gradations of activity, so that only under certain conditions do viruses turn into, say, what you think of as deadly ones. The healthiest body contains within it many so-called deadly viruses in what you may call (underlined) an inactive form — inactive from your viewpoint, in that they are not causing disease. They are, however, helping to maintain the body’s overall balance. In a way (underlined) in each body, the species settles upon a known status quo, and yet experiments creatively at many levels with cellular alterations, chromosomal variations, so that of course each body is unique. There are kinds of gradations, say, in the lines and kinds of disease. Certain diseases can actually strengthen the body from a prior weaker state, by calling upon the body’s full defenses. Under certain conditions, some so-called disease states could insure the species’ survival.

(Long pause, one of many.) Give us a moment… (Long pause.) It is very difficult to explain. (Pause.) In a way, some disease states help to insure the survival of the species — not by weeding out the sickly but by introducing into large numbers of individuals the conditions needed to stabilize other strains within the species that need to be checked, or to “naturally inoculate” the species against a sensed greater danger.

(Long pause at 10:01.) Your culture has its biological effect upon the species. I am not speaking of obvious connections in a derogatory manner, such as pollution and so forth. If you were thinking in old terms of evolution, then I would be saying that your cultures and civilizations actually alter the chromosomal messages. Your thoughts affect your cells, again, and they can change what are thought of as hereditary factors. Give us a moment… Your imaginations are intimately connected with your diseases, just as your imaginations are so important in all other areas of your lives. You form your being by imaginatively considering such-and-such a possibility, and your thoughts affect your body in that regard. In a way, illness is a tool used on behalf of life, for people have given it social, economic, psychological, and religious connotations. It becomes another area of activity and of expression.