“Seth material” search engine (Jane Roberts)

As always, I will do the best that I can (smiling), using concepts with which you are familiar, at least to begin. I realize that current experience may perhaps seem contradictory to some of these ideas, so bear with me. I will, therefore, combine the idea of a disease with the idea of creativity, for the two are intimately connected.

These portraits obviously have a biological reality. In a manner of speaking, now, each person dips into the same supplies of paint, and so forth — which are the elements out of which your likenesses emerge. There must be great creative leeway allowed for such portraits. Each one interacting with each other one helps form the psychological and physical reality of the species, so you are somehow involved in the formation of a multitudinous number of portraits. I simply want you to keep that analogy in the background.

(Pause.) These portraits, however, are the result of creativity so inborn and miraculous that they are created automatically — an automatic art. At certain levels the species is always creatively embarked upon alternate versions of itself. The overall patterns will remain. Biological integrity is [everywhere] sustained. What you think of as diseases, however, are quite creative elements working at different levels, and at many levels at once.

(9:46.) Many viruses are vital to physical existence, and in your terms there are gradations of activity, so that only under certain conditions do viruses turn into, say, what you think of as deadly ones. The healthiest body contains within it many so-called deadly viruses in what you may call (underlined) an inactive form — inactive from your viewpoint, in that they are not causing disease. They are, however, helping to maintain the body’s overall balance. In a way (underlined) in each body, the species settles upon a known status quo, and yet experiments creatively at many levels with cellular alterations, chromosomal variations, so that of course each body is unique. There are kinds of gradations, say, in the lines and kinds of disease. Certain diseases can actually strengthen the body from a prior weaker state, by calling upon the body’s full defenses. Under certain conditions, some so-called disease states could insure the species’ survival.

At the minute levels — microscopic levels — there are always some biological experiments being carried out, in a creative effort to give the species as much leeway as possible for effective action. Your body is changed biologically by your thoughts.

It “sings” with the quality of its own life. It cooperates with other cells. It affiliates itself with the body of which it is part, but in a way it lends itself to that formation. (Pause.) The dreams of the species are highly important to its survival — not just because dreaming is a biological necessity, but because in dreams the species is immersed in deeper levels of creativity, so that those actions, inventions, ideas that will be needed in the future will appear in their proper times and places. In the old terms of evolution. I am saying that man’s evolutionary progress was also dependent upon his dreams.

You dreamed you spoke languages before their physical invention, of course. It was the nature of your dreams, and your dreams’ creativity, that made you what you are, for otherwise you would have developed a mechanical-like language — had you developed one at all — that named designations, locations, and dealt with the most simple, objective reality: “I walked there. He walks there. The sun is hot.” You would not have had that kind of bare statement of physical fact. You would not have had (pause) any way (pause) of conceiving of objects that did not already exist. You would not have had any way of imagining yourselves in novel situations. You would not have had any overall picture of the seasons, for dreaming educated the memory and lengthened man’s attention span. It reinforced the lessons of daily life, and was highly important in man’s progress.

(10:35.) Give us a moment… The creativity of the species is also the result of your particular kind of dream specialization. It amounts to — amounts to — a unique state of existence by itself, in which you combine the elements of physical and nonphysical reality. It is almost a threshold between the two realities, and you learned to hold your physical intent long enough at that threshold so that you have a kind of brief attention span there, and use it to draw from nonphysical reality precisely those creative elements that you need. Period.