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NoME Part Three: Chapter 7: Session 853, May 14, 1979 4/28 (14%) feminine male creativity women marketplace
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Three: People Who Are Frightened of Themselves
– Chapter 7: The Good, the Bad, and the Catastrophic. Jonestown, Harrisburg, and When Is an Idealist a Fanatic?
– Session 853, May 14, 1979 9:46 P.M. Monday

[... 11 paragraphs ...]

(10:03.) The Catholic Church taught that revelation was dangerous. Intellectual and psychic obedience was much the safer road, and even the saints were slightly suspect. Women were inferiors, and in matters of religion and philosophy most of all, for there their creativity could be most disruptive. Women were considered hysterics, aliens to the world of intellectual thought, swayed instead by incomprehensible womanish emotions. Women were to be handled by wearing down their energies through childbirth.

[... 3 paragraphs ...]

The art of the old masters escaped such connotations, largely because it involved so much physical labor — the making of colors, canvases, and so forth. That work, providing the artist’s preparation, now belongs to the male-world manufacturer, you see, so as a male in your society the artist is often left with what he thinks of as art’s feminine basis, where it must be confronted, of course.

(10:20.) I want to make it plain that such ideas are rampant in society, and are at the basis of many personal and national problems. They are behind large issues, involved in the [Three Mile Island] nuclear fiasco, for example, and in the scientist’s idea of power and creation. Both of you, highly creative, find your creativity in conflict with your ideas of sexuality, privately and in your stances with the world. Much of this is involved with the unfortunate myths about the creative person, who is not supposed to be able to deal with the world as well as others, whose idiosyncrasies are exaggerated, and whose very creativity, it is sometimes said, leads to suicide or depression. No wonder few numbers of creative people persist in the face of such unfortunate beliefs!

[... 8 paragraphs ...]

(She laughed. “You’re so strange. Here you won’t go to the marketplace, but you think of saving all of these private sessions for posterity, to give them to the world some day. You’re very close-mouthed: You don’t blab our personal business, but you’d do that…. Instead, I see us when I’m 80 and you’re 90, out in the back yard, burning it all.”

[... 1 paragraph ...]

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