1 result for (book:nome AND session:853 AND stemmed:privat)
(Although this is a private session that Jane and I are filing separately from “regular” material, we’re also presenting it in Mass Events because of the many insights Seth offers into individual and mass events in general, and into our personal realities in particular. In fact, without those qualities of ours that Seth touches upon this evening, I doubt that the Seth books — indeed, even the sessions themselves — would exist. So in that sense this session contains more of those insights into the how and why of the Seth material that we’re always searching for. See my comments in Note 1 for sessions 840 and 841.
[... 15 paragraphs ...]
(10:20.) I want to make it plain that such ideas are rampant in society, and are at the basis of many personal and national problems. They are behind large issues, involved in the [Three Mile Island] nuclear fiasco, for example, and in the scientist’s idea of power and creation. Both of you, highly creative, find your creativity in conflict with your ideas of sexuality, privately and in your stances with the world. Much of this is involved with the unfortunate myths about the creative person, who is not supposed to be able to deal with the world as well as others, whose idiosyncrasies are exaggerated, and whose very creativity, it is sometimes said, leads to suicide or depression. No wonder few numbers of creative people persist in the face of such unfortunate beliefs!
[... 3 paragraphs ...]
I have given material on that before (but in private sessions). To some extent, Ruburt became afraid of his own creativity, and so did you. In Ruburt’s case the fear was greater, until it seemed sometimes that if he succeeded in his work he would do so at some peril: You might be put in an unpleasant light, or he might become a fanatic, displaying those despicable, feminine hysterical qualities.
[... 4 paragraphs ...]
(She laughed. “You’re so strange. Here you won’t go to the marketplace, but you think of saving all of these private sessions for posterity, to give them to the world some day. You’re very close-mouthed: You don’t blab our personal business, but you’d do that…. Instead, I see us when I’m 80 and you’re 90, out in the back yard, burning it all.”
(Yet she easily agreed that this evening’s session, whether private or not, cast much light on the Seth material as a whole, adding depths of understanding and background information. And, incidentally, in spite of my feelings about the marketplace, I’ve sold a number of paintings over the years…. )