“Seth material” search engine (Jane Roberts)

Ruburt (Jane) was highly creative, and so following the beliefs of his time, he believed that he must watch his creativity most carefully, for he was determined to use it. He decided early to have no children — but more, to fight any evidence of femininity that might taint his work, or jumble up his dedication to it. He loved you deeply and does, but he always felt he had to tread a slender line, so as to satisfy the various needs and beliefs that you both had to one extent or another, and those you felt society possessed. He was creative, and is. Yet he felt that women were inferior, and that his very abilities made him vulnerable, that he would be ridiculed by others, that women were not taken seriously as profound thinkers, or innovators in philosophical matters.

Now (to me): You are creative, but you are a male — and one part of you considered creativity a feminine-like characteristic. If it were tied to moneymaking, as it once was, then painting became also powermaking, and hence acceptable to your American malehood; and I am quite aware of the fact that by the standards of your times both of you were quite liberal, more the pity. You would not take your art to the marketplace after you left commercial work, because then, in a manner of speaking, now, understand, you considered that the act of a prostitute — for your “feminine feelings” that you felt produced the paintings would then be sold for the sake of “the male’s role as provider and bringer of power.”

(10:35 P.M. “I didn’t know he was going to go into all of that,” Jane said, after I’d told her she’d given an excellent session. “Maybe that’s why I felt so uncomfortable before the session: Part of me knew Seth was going to talk about us. Now I feel exhausted. I could go right to bed, but I won’t….”