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NoME Part Three: Chapter 7: Session 853, May 14, 1979 3/28 (11%) feminine male creativity women marketplace
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Three: People Who Are Frightened of Themselves
– Chapter 7: The Good, the Bad, and the Catastrophic. Jonestown, Harrisburg, and When Is an Idealist a Fanatic?
– Session 853, May 14, 1979 9:46 P.M. Monday

[... 6 paragraphs ...]

I want to make a few comments. Generally speaking, creativity has feminine connotations in your society, while power has masculine connotations, and is largely thought of as destructive.

[... 6 paragraphs ...]

The trance itself had feminine connotations, though he conveniently forgot [several excellent male mediums]. And yet at the same time he was afraid of exerting power, for fear it would be thought that he was usurping male prerogatives.

[... 1 paragraph ...]

The art of the old masters escaped such connotations, largely because it involved so much physical labor — the making of colors, canvases, and so forth. That work, providing the artist’s preparation, now belongs to the male-world manufacturer, you see, so as a male in your society the artist is often left with what he thinks of as art’s feminine basis, where it must be confronted, of course.

[... 11 paragraphs ...]

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