“Seth material” search engine (Jane Roberts)

(Since Jane began dictating Mass Events 11 months ago, I’ve mentioned our checking the printer’s page proofs for two of her other books: Volume 1 of “Unknown” Reality, and Cézanne. Now I can add a third book, James, to the list. The uncorrected proofs, typeset in the actual page format in which the book will be published, arrived last Thursday. So now we’re spending much of our working time checking — and double-checking — the proofs against our carbon copy of the copyedited James manuscript. Our scrutiny will include spelling, punctuation, and all of the other indicia that people take for granted when they read the finished work. We must also make sure that no words, sentences, or paragraphs have been inadvertently duplicated or omitted. We estimate that we should have the whole job finished and in the mail to Prentice-Hall in about 10 days.

In titling this chapter I used the word “mechanics,” because mechanisms suggest smooth technological workings. While the world is not a machine — its inner workings are such that no technology could ever copy them — this involves a natural mechanics in which the inner dimensions of consciousness everywhere emerge to form a materialized, cohesive, physical existence. Again, your interpretations of identity teach you to focus awareness in such a way that you cannot follow the strands of consciousness that connect you with all portions of nature. In a way, the world is like a multidimensional, exotic plant growing in space and time, each thought, dream, imaginative encounter, hope or fear, growing naturally into its own bloom — a plant of incredible variety, never for a moment the same, in which each smallest root, leaf, stem, or flower has a part to play and is connected with the whole.